交响首演

Douglas W. Shadle
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引用次数: 0

摘要

波西米亚作曲家Antonín Dvořák的音乐在19世纪70年代末到达美国海岸,并立即受到公众的喜爱。Dvořák的小角色作品充满了波希米亚民族的姿态,引起了最大的轰动,但评论家也欢迎他的交响曲,认为这是该流派最近最有前途的例子之一。1892年9月,当他来到美国海岸,指挥珍妮特·瑟伯(Jeannette Thurber)的国家音乐学院(National Conservatory)时,Dvořák多变的风格让听众既高兴又失望。热切的公众期待着他的最新交响曲的声音,这部交响曲于1893年12月首演,最终将永远改变美国古典音乐界的格局。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Symphonic Premiere
Bohemian composer Antonín Dvořák’s music reached American shores in the late 1870s and immediately found public favor. Infused with ethnic Bohemian gestures, Dvořák’s smaller character pieces caused the greatest sensation, but critics also welcomed his symphonies as some of the most promising recent examples of the genre. By the time he arrived on US shores to direct Jeannette Thurber’s National Conservatory in September 1892, Dvořák’s protean style had come to please and disappoint listeners in equal measure. An eager public awaited the sounds of his latest symphony, which premiered in December 1893 and would ultimately change the landscape of American classical music forever.
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