音乐流媒体应用的使用习惯及其对隐私相关问题的影响[研究进展]

Maor Weinberger, D. Bouhnik
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引用次数: 4

摘要

目的/目的:在这项探索性研究中,我们研究了音乐流媒体应用程序中的个人信息管理。此外,我们还调查了在音乐流媒体应用程序上播放的歌曲的所有权意识,以及这些服务的使用是否可以被视为一种社交活动。在后期阶段,我们打算测试音乐流媒体应用程序中的隐私相关问题,以及在使用这些服务时影响隐私问题的因素。方法:使用混合方法进行检查,包括两个阶段:定性和定量。定性阶段包括对10个音乐流媒体应用程序用户的半结构化访谈,以探讨这些应用程序出现后个人信息管理可能发生的变化(例如分类方法和歌曲检索方法的变化)。定量阶段包括在200-250名音乐流媒体应用程序用户中分发封闭式问卷,旨在探讨使用这些应用程序时出现的个人信息管理问题和隐私相关问题(例如隐私问题)。目前,发布了定性阶段的试点。调查结果:我们发现用户仍然依赖传统的个人信息管理方法,而不是利用创新的音乐流媒体应用程序提供的新功能。这同样适用于将这些应用程序用作社交活动的一部分。此外,音乐流媒体应用程序的出现似乎影响了个人音乐库中歌曲的所有权意识,并使音乐消费者之间的关系变得模糊。贡献:据我们所知,这是第一个研究音乐流媒体应用程序中个人音乐管理问题的学术研究,也是第一个使用混合方法来研究数字音乐消费的研究。此外,这是第一个考虑到音乐流媒体应用程序用户隐私相关问题的研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Usage Habits in Music Streaming Applications and Their Influence on Privacy Related Issues [Research in Progress]
Aim/Purpose: In this exploratory study we examine personal information management within music streaming applications. Also, we investigate the sense of ownership over songs being played on music streaming applications and whether the use of these services may be considered a social activity. In a later stage, we intend to test privacy related issues in music streaming applications and the factors that influence privacy concerns when using these services. Methodology: This is examined by using a mixed methodology and consists of two phases: qualitative and quantitative. The qualitative stage includes semi-structured interviews with 10 music streaming application users in order to explore the possible change in personal information management, following the emergence of these applications (e.g. change in classification methods and song retrieval methods). The quantitative phase includes the distribution of closed ended questionnaires among 200-250 users of music streaming applications, aiming to explore personal information management issues and privacy related issues that emerge while using these applications (e.g. privacy concerns). Currently, a pilot of the qualitative stage was issued. Findings: We found that users still rely on traditional methods of personal information management, rather than making use of the newer features available by the innovative music streaming applications. The same applies to the use of these applications as part of a social activity. In addition, it seems that the emergence of music streaming applications influenced the sense of ownership over songs in personal music libraries and made it ambiguous among music consumers. Contribution: As far as we know, this is the first academic research to investigate the issue of personal music management among music streaming applications and the also the first to use a mixed methods approach to examine digital music consumption. In addition, it is the first study that takes into account privacy related issues among the users of music streaming applications.
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