多功能工具:参与背景下的摄影

M. Jerrentrup
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引用次数: 0

摘要

本文探讨了摄影作为一种工具在参与性发展研究与合作中的机遇与局限。在对基本术语的定义和反思以及“参与式工具箱”的介绍之后,讨论了摄影的不同可能用途:摄影授予访问权,因为它赋予摄影师特定的角色。摄影师赋予他或她所捕捉到的东西以意义,为接受者提供一个独特的视角。照片文档提供了讨论和比较的基础,并促进了“所有权”的感觉。但是舞台摄影也很重要,因为它具有创造性,同时又与世界相关,因此以解决方案为导向。此外,摄影具有治疗潜力,例如当涉及到身份工作或在不同位置之间进行调解时。然而,应该提到的是,摄影在不同的文化背景下具有不同的含义,并且应该始终在这种背景下使用。收稿日期:2022年7月6日/收稿日期:2022年10月16日/发表日期:2022年11月5日
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Versatile Tool: Photography in the Context of Participation
This article deals with the opportunities and limitations of photography as a tool in participatory development research and cooperation. After the definitions and reflections on the basic terms and the introduction of the “participatory toolbox,” different possible uses of photography are discussed: photography grants access, as it endows the photographer with a specific role. The photographer gives meaning to what he or she captures, facilitating an emic perspective for the recipient. Photo documentation provides a basis for discussion and comparison and promotes the feeling of “ownership.” But also staged photography can be significant because of the creative and at the same time world-related and thus solution-oriented approach. Furthermore, photography has therapeutic potential, e.g. when it comes to identity work or mediating between different positions. However, it should be mentioned that photography has different meanings depending on the cultural context and should always be used against this background.     Received: 6 July 2022 / Accepted: 16 October 2022 / Published: 5 November 2022
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