宗教在詹姆斯·乔伊斯《都柏林人》中的作用:文化唯物主义阅读

M. Jafari, Mahnaz Soqandi, Shiva Zaheri Birgani
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引用次数: 0

摘要

语言、社会认同和宗教是文化研究的三大关注点。语言在文学文本中起着构建意义和反映作者意图的重要作用。同样,宗教作为一种文化政治在塑造思想和影响文学文本框架方面也是一个主导因素。宗教是当代文学的新兴问题之一,也是大多数文学作品的支柱。宗教作为一个主题被视为影响那些相信它的人的行动。它形成了预先决定一个人的行动和行为的功能框架。此外,社会身份决定了社会阶层的地位和物质生活状况。社会认同是指我们如何根据我们的共同点来认同自己与他人的关系。所有这些问题都是相互关联的,因为它们都相互合作,共同构成了社会和文化的物质性。适当的文化和社会材料和问题,如宗教问题。他的主要短篇小说集《都柏林人》围绕19世纪末20世纪初都柏林爱尔兰中产阶级的生活方式展开。这个收藏装饰着违反规范和仪式性的行为,这是社会结构的一部分。本研究旨在阐明詹姆斯·乔伊斯的《都柏林人》如何反映语言、社会认同和宗教作为文化实践的概念,以及他们如何在文化唯物主义的框架内构建社会和文化产品,以展示詹姆斯·乔伊斯如何批评二十世纪初的爱尔兰文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Role of Religion in James Joyce`s Dubliners: Cultural Materialism Reading
Language, Social identity and Religion are three major concerns of cultural studies. Language in literary texts plays a major role in constructing meaning and reflecting the author`s intention. Likewise religion as a cultural politics is a dominant factor in shaping mind as well in affecting the framework of literary text. Religion is one of the emerging issues in the modern era and forms the backbone of most literary works. Religion as a theme is seen to influence the operation of those who believe in it. It forms the functional framework that predetermines ones actions and behavior. Furthermore, social identity decides on the status of the social class and their material life situation. Social identity relates to how we identify ourselves in relation to others according to what we have in common. All these issues are interrelated since they all cooperate and construct a social and cultural materiality. Proper cultural and social materials and issues such as religious matters. His major short story collection, Dubliners, revolves around the lifestyle of the Irish middle-class in Dublin around the late 1800s and early 1900s. This collection is decorated with violated norms and ritualistic behavior that are part of social constructs. Addressing social, religious and cultural issues, cultural This study aims to clarify how James Joyce`s Dubliners reflects the notions of language, social identity and religion as cultural practices and how they construct social and cultural products within the framework of cultural materialism to show how James Joyce criticizes Irish culture at the beginning of the Twentieth century.
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