与植物玩耍,热爱电脑:在数字时代超越人类的古怪游戏:克里斯汀·洛夫的爱情故事和杰斯·马科特和迪特里希·斯奎基弗的《轻轻地把你的叶子沙沙作响》

D. Gati
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引用次数: 2

摘要

本文认为,酷儿游戏在人类玩家和他们的非人类他人之间建立了一种基于欲望和脆弱性的乌托邦关系。具体来说,以Jess Marcotte、Dietrich Squinkifer和Digital的独立游戏《Rustle Your Leaves to Me Softly》为例:Christine Love的《A Love Story》作为案例研究,这篇文章从酷儿游戏研究中更熟悉的概念中重新配置了酷儿游戏性的概念,即不存在于故意抵抗和代理颠覆中,而存在于游戏自我对非人类他人的游戏和快乐的自愿服从中——在这些游戏中,植物和电脑。因此,酷儿表现为一种不稳定的欲望形式,它不寻求也不能掌握它的对象。最后,这篇文章将酷儿的游戏设定为人类主体和游戏自我的激进去中心化,以支持人类与不可同化的他者之间谦卑、脆弱和偶然的关系形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Playing with Plants, Loving Computers: Queer Playfulness beyond the Human in Digital: A Love Story by Christine Love and Rustle Your Leaves to Me Softly by Jess Marcotte and Dietrich Squinkifer
This article argues that queer playfulness sets up a utopian relationality based on desire and vulnerability between human players and their nonhuman Others. Specifically, using the indie games Rustle Your Leaves to Me Softly by Jess Marcotte and Dietrich Squinkifer and Digital: A Love Story by Christine Love as case studies, the article reconfigures the notion of queer playfulness from its more familiar conceptualizations in queer game studies as residing less in willful resistance and agentive subversion than in the willing subjection of the playing self to the play and pleasure of the nonhuman Other—in the case of these games, plants and computers. Thus, queerness manifests as a precarious form of desire that does not seek to and cannot master its object. Ultimately, the article posits queer playfulness as a radical decentering of the human subject and the playing ego in favor of a humble, vulnerable, and contingent form of relationality between humans and their unassimilable Others.
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