María Rosal中的跨语言交叉和变性

M. Arriaga Florez, Daniele Cerrato, Alessia Della Rocca
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引用次数: 0

摘要

本文的目的是分析María罗萨尔·纳达莱斯在她的选集《Al este del and samen》中进行跨文本建构的不同文本策略。使用这种技术有不同的原因:赋予读者的积极角色和写作框架中俏皮的角色,对其他作者的致敬和诗意的一致,惊喜效果和讽刺,古典文化和流行文化的后现代融合,最后,伦理美学承诺指出矛盾,创造新的隐喻鼓励读者反思以及新的思维方式,尤其是围绕着女诗人的形象和女性身体的表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Interlinguistic crosses and transextuality in María Rosal
The objective of this article is to analyse the different textual strategies with which María Rosal Nadales makes a transtextual construction in her anthology "Al este del andén". The use of this technique responds to different reasons: the active role that is assigned to the reader and the playful character in which the writing is framed, the tribute to and poetic concordance with other authors, the surprise effect and the irony, the postmodern fusion of classical culture and popular culture and, finally, the ethical-aesthetic commitment to point out contradictions, create new metaphors and encourage the reader's reflection together with new ways of thinking, especially around the figure of the woman poet and the representation of the female body.
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