{"title":"跨文化多情感音乐情感感知的时间整合","authors":"Zongxia Zhang, Lingyun Xie, Zhijun Zhao","doi":"10.1109/ICCST53801.2021.00050","DOIUrl":null,"url":null,"abstract":"Music can bring different emotional feelings which often change with time. The whole emotion-perception of a piece of music is related to the emotion of each temporal segment obviously. This study focuses on the relationship between the whole and each segment in music emotion-perception and how does the relationship change under different culture as well as different mood categories. Specifically, we built a temporal-dynamic emotion dataset containing Chinese folk music and Western classical music, and the music was also divided into four categories: sad, angry, happy and relaxed. Every piece of music is divided into several temporal segments of different lengths. Valence-Arousal model was used to annotate the emotion of segments and the whole music. Through correlation analysis and regression analysis, the emotion-perception relationship between the whole and segments was studied. The results show that relationship between the whole and each segment in emotion-perception is significant. This paper also explored the differences of this relationship under different cultural backgrounds and emotional categories.","PeriodicalId":222463,"journal":{"name":"2021 International Conference on Culture-oriented Science & Technology (ICCST)","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Temporal Integration of Emotion Perception for Cross-Cultural and Multi-Emotion Music\",\"authors\":\"Zongxia Zhang, Lingyun Xie, Zhijun Zhao\",\"doi\":\"10.1109/ICCST53801.2021.00050\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Music can bring different emotional feelings which often change with time. The whole emotion-perception of a piece of music is related to the emotion of each temporal segment obviously. This study focuses on the relationship between the whole and each segment in music emotion-perception and how does the relationship change under different culture as well as different mood categories. Specifically, we built a temporal-dynamic emotion dataset containing Chinese folk music and Western classical music, and the music was also divided into four categories: sad, angry, happy and relaxed. Every piece of music is divided into several temporal segments of different lengths. Valence-Arousal model was used to annotate the emotion of segments and the whole music. Through correlation analysis and regression analysis, the emotion-perception relationship between the whole and segments was studied. The results show that relationship between the whole and each segment in emotion-perception is significant. This paper also explored the differences of this relationship under different cultural backgrounds and emotional categories.\",\"PeriodicalId\":222463,\"journal\":{\"name\":\"2021 International Conference on Culture-oriented Science & Technology (ICCST)\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2021 International Conference on Culture-oriented Science & Technology (ICCST)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/ICCST53801.2021.00050\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2021 International Conference on Culture-oriented Science & Technology (ICCST)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/ICCST53801.2021.00050","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Temporal Integration of Emotion Perception for Cross-Cultural and Multi-Emotion Music
Music can bring different emotional feelings which often change with time. The whole emotion-perception of a piece of music is related to the emotion of each temporal segment obviously. This study focuses on the relationship between the whole and each segment in music emotion-perception and how does the relationship change under different culture as well as different mood categories. Specifically, we built a temporal-dynamic emotion dataset containing Chinese folk music and Western classical music, and the music was also divided into four categories: sad, angry, happy and relaxed. Every piece of music is divided into several temporal segments of different lengths. Valence-Arousal model was used to annotate the emotion of segments and the whole music. Through correlation analysis and regression analysis, the emotion-perception relationship between the whole and segments was studied. The results show that relationship between the whole and each segment in emotion-perception is significant. This paper also explored the differences of this relationship under different cultural backgrounds and emotional categories.