赋予盲人音乐家作曲和标记音乐与SoundCells

W. Payne, Fabiha Ahmed, Michael Zachor, Michael Gardell, Isabel Huey, Amy Hurst, R. DuBois
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引用次数: 1

摘要

商业音乐标记技术给盲人和视障音乐家带来了使用障碍,因为他们使用图形用户界面,只产生视觉打印乐谱。然而,到目前为止,更多的研究是研究如何使现有的乐谱以盲文或大字打印出来,而不是了解英属维尔京群岛音乐家为新音乐做标记的需求和工作流程。为了解决这一差距,我们进行了为期六周的远程研究,让六位背景广泛的英属维尔京群岛音乐家创作原创音乐,并进行现场表演。为了创作他们的乐谱,参与者使用了SoundCells,这是一款与英属维尔京群岛音乐家共同设计和测试的产品,它使用文本生成音频、打印和盲文音乐。在三次采访中,参与者对文本输入如何促进创造性表达提出了不同而微妙的观点。我们揭示了视觉能力、音乐体验和辅助技术偏好如何影响音乐的访问和穿越方式。从这项研究中,我们提供了改进SoundCells输入和输出系统的设计建议,讨论了嵌入在SoundCells语法中的视觉线索如何使无法查看的人更难学习和记忆,并反思了我们选择的方法如何导致高参与度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Empowering Blind Musicians to Compose and Notate Music with SoundCells
Commercial technologies for notating music pose usage barriers to blind and visually impaired (BVI) musicians because they use graphic user interfaces and only produce visual, print scores. However, more research to date has studied how to make existing scores available in braille or large print rather than understand the needs and workflows of BVI musicians who notate new music. To address this gap, we conducted a six-week remote study in which six BVI musicians with wide-ranging backgrounds wrote original music culminating in a live performance. To create their scores, participants used SoundCells, a product of ongoing co-design and testing with BVI musicians that uses text to generate audio, print, and braille music. Across three interviews, participants offered diverse and nuanced views of how text input could facilitate creative expression. We uncovered how vision ability, music experience, and assistive technology preference affected how music was accessed and traversed. From this research, we provide design recommendations for improving SoundCells’ input and output systems, discuss how visual cues embedded in SoundCells’ syntax make learning and remembering harder for people who can’t view it, and reflect on how our chosen methods resulted in high engagement.
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