{"title":"7. 21世纪电影博物馆的后电影生态。转型中的电影档案实践理论化——对话","authors":"G. Fossati, A. V. D. Oever","doi":"10.1515/9789048551941-009","DOIUrl":null,"url":null,"abstract":"Contributing to the cinema death topic while focusing on national film institutes, Giovanna Fossati and Annie van den Oever observe that, while it can be said that processes of digitalization (which raise the question as to whether the notion of film is still relevant in this new technological context) have deeply affected the world of film and cinema, some of the film institutes remain – an index of the cinema persistence. Digitalization concerns reproduction and creation. The exchange of views between Fossati and Van den Oever provides a useful perspective on the issue of digital archiving. It also deeply enriches the idea of post-cinema, more precisely, the idea of “a new post-cinematic ecology.”","PeriodicalId":162773,"journal":{"name":"Post-cinema","volume":"86 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"7. The Twenty-First-Century Postcinematic Ecology of the Film Museum. Theorizing a Film Archival Practice in Transition – A Dialogue\",\"authors\":\"G. Fossati, A. V. D. Oever\",\"doi\":\"10.1515/9789048551941-009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Contributing to the cinema death topic while focusing on national film institutes, Giovanna Fossati and Annie van den Oever observe that, while it can be said that processes of digitalization (which raise the question as to whether the notion of film is still relevant in this new technological context) have deeply affected the world of film and cinema, some of the film institutes remain – an index of the cinema persistence. Digitalization concerns reproduction and creation. The exchange of views between Fossati and Van den Oever provides a useful perspective on the issue of digital archiving. It also deeply enriches the idea of post-cinema, more precisely, the idea of “a new post-cinematic ecology.”\",\"PeriodicalId\":162773,\"journal\":{\"name\":\"Post-cinema\",\"volume\":\"86 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Post-cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/9789048551941-009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Post-cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9789048551941-009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Giovanna Fossati和Annie van den Oever在关注国家电影学院的同时,对电影死亡的话题做出了贡献,他们观察到,虽然可以说数字化的进程(这提出了电影的概念在这种新的技术背景下是否仍然相关的问题)已经深刻地影响了电影和电影的世界,但一些电影学院仍然存在——这是电影持久性的一个指标。数字化涉及复制和创造。Fossati和Van den Oever之间的观点交流为数字存档问题提供了一个有用的视角。它也深刻地丰富了后电影的理念,更准确地说,是“一种新的后电影生态”的理念。
7. The Twenty-First-Century Postcinematic Ecology of the Film Museum. Theorizing a Film Archival Practice in Transition – A Dialogue
Contributing to the cinema death topic while focusing on national film institutes, Giovanna Fossati and Annie van den Oever observe that, while it can be said that processes of digitalization (which raise the question as to whether the notion of film is still relevant in this new technological context) have deeply affected the world of film and cinema, some of the film institutes remain – an index of the cinema persistence. Digitalization concerns reproduction and creation. The exchange of views between Fossati and Van den Oever provides a useful perspective on the issue of digital archiving. It also deeply enriches the idea of post-cinema, more precisely, the idea of “a new post-cinematic ecology.”