通过音乐进行跨文化对话:将披头士的遗产转化为当代流行文化

Kathrin Engelskircher
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引用次数: 0

摘要

文化翻译现象本身就是跨文化的产物。在这个全球化的世界里,交流和互动每天都在发生。特别是在音乐方面,翻译的视角可以以一种非常富有成效的方式拓宽研究项目的视野。音乐总是将来自不同文化、时期和风格的元素结合在一起,从而可以作为跨文化对话的媒介,不仅在理性层面上影响对话的参与者,而且在情感层面上影响对话的参与者,并有助于跨越边界,在不同文化之间建立桥梁。在我的分析中,我研究了披头士的遗产,以及总部位于德国的西班牙-智利乐队“回忆”是如何在表演上展现它的。不同的文化在这种挪用中相互融合,并表现出一种快乐的(后现代)处理,创造出一种非常特殊的、独立的音乐类型和自我舞台。因此,音乐作为跨文化对话的产物,可以成为不同文化之间成功互动的机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Intercultural Dialogue via Music: Translating the Beatles’ Legacy into Contemporary Pop Culture
Cultural translation phenomena are per se an intercultural product. Exchange and interaction take place every day in our globalized world. Especially with respect to music, a translational perspective can broaden the horizon of research projects in a very fruitful way. Music always combines elements from different cultures, periods and styles and can, in that way, serve as a medium of intercultural dialogue, which affects the participants of the dialogue not only on a rational, but also on an emotional level – and helps to cross borders and build bridges between different cultures. In my analysis, I take a look at the legacy of the Beatles and how it is performatively unfolded by the Spanish-Chilean band the Recalls, based in Germany. Different cultures intermingle in such appropriation and show a joyful (postmodern) handling to create a very special, discrete type of music and self-staging. Thus, music as a product of intercultural dialogue can become a chance for a successful interaction between different cultures.
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