{"title":"布列宁的文艺美学观与无产阶级的艺术原则","authors":"K. Barsht","doi":"10.22455/978-5-9208-0661-1-204-217","DOIUrl":null,"url":null,"abstract":"The study puts forward the hypothesis that the literary and aesthetic principles of “cynical realism” promoted by V. P. Burenin in 1860–80 meet the requirements that were put forward in relation to fiction by the figures of the Proletkult (1918–1922). In this regard, a comparative analysis of a number of provisions underlying the two aesthetic doctrines is carried out, with a conclusion concerning the similarity of their basic provisions and their parallelism in building requirements for literature and journalism, which should not only be thematically devoted exclusively to practical human activity, but also actually be an integral part of it. The idea of “impudent realism”, put forward by Burenin in 1860s which sounded like a call was implemented on a practical level in the writings of such figures of the Proletkult as B. Arvatov, V. Pletnev, A. Bogdanov, etc.","PeriodicalId":130982,"journal":{"name":"Russian Literature and Journalism in the Pre-revolutionary Era: Forms of Interaction and Methodology of Analysis","volume":"33 1-2 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Literary and Aesthetic Views of V.P. Burenin and the Artistic Principles of Proletkult\",\"authors\":\"K. Barsht\",\"doi\":\"10.22455/978-5-9208-0661-1-204-217\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The study puts forward the hypothesis that the literary and aesthetic principles of “cynical realism” promoted by V. P. Burenin in 1860–80 meet the requirements that were put forward in relation to fiction by the figures of the Proletkult (1918–1922). In this regard, a comparative analysis of a number of provisions underlying the two aesthetic doctrines is carried out, with a conclusion concerning the similarity of their basic provisions and their parallelism in building requirements for literature and journalism, which should not only be thematically devoted exclusively to practical human activity, but also actually be an integral part of it. The idea of “impudent realism”, put forward by Burenin in 1860s which sounded like a call was implemented on a practical level in the writings of such figures of the Proletkult as B. Arvatov, V. Pletnev, A. Bogdanov, etc.\",\"PeriodicalId\":130982,\"journal\":{\"name\":\"Russian Literature and Journalism in the Pre-revolutionary Era: Forms of Interaction and Methodology of Analysis\",\"volume\":\"33 1-2 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Russian Literature and Journalism in the Pre-revolutionary Era: Forms of Interaction and Methodology of Analysis\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22455/978-5-9208-0661-1-204-217\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Russian Literature and Journalism in the Pre-revolutionary Era: Forms of Interaction and Methodology of Analysis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22455/978-5-9208-0661-1-204-217","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Literary and Aesthetic Views of V.P. Burenin and the Artistic Principles of Proletkult
The study puts forward the hypothesis that the literary and aesthetic principles of “cynical realism” promoted by V. P. Burenin in 1860–80 meet the requirements that were put forward in relation to fiction by the figures of the Proletkult (1918–1922). In this regard, a comparative analysis of a number of provisions underlying the two aesthetic doctrines is carried out, with a conclusion concerning the similarity of their basic provisions and their parallelism in building requirements for literature and journalism, which should not only be thematically devoted exclusively to practical human activity, but also actually be an integral part of it. The idea of “impudent realism”, put forward by Burenin in 1860s which sounded like a call was implemented on a practical level in the writings of such figures of the Proletkult as B. Arvatov, V. Pletnev, A. Bogdanov, etc.