布列宁的文艺美学观与无产阶级的艺术原则

K. Barsht
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引用次数: 0

摘要

本研究认为,布列宁在1860 - 1980年倡导的“愤世嫉俗的现实主义”的文学美学原则符合无产阶级人物(1918-1922)对小说的要求。在这方面,本文对两种美学理论的一些基本条款进行了比较分析,得出了它们的基本条款的相似性和它们在构建文学和新闻需求方面的平行性的结论,文学和新闻不仅应该在主题上专门致力于人类的实际活动,而且实际上是它的一个组成部分。布列宁在19世纪60年代提出的“无耻的现实主义”思想,听起来像是一种号召,在无产阶级人物阿尔瓦托夫、普列特涅夫、波格丹诺夫等人的著作中得到了实践的贯彻。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Literary and Aesthetic Views of V.P. Burenin and the Artistic Principles of Proletkult
The study puts forward the hypothesis that the literary and aesthetic principles of “cynical realism” promoted by V. P. Burenin in 1860–80 meet the requirements that were put forward in relation to fiction by the figures of the Proletkult (1918–1922). In this regard, a comparative analysis of a number of provisions underlying the two aesthetic doctrines is carried out, with a conclusion concerning the similarity of their basic provisions and their parallelism in building requirements for literature and journalism, which should not only be thematically devoted exclusively to practical human activity, but also actually be an integral part of it. The idea of “impudent realism”, put forward by Burenin in 1860s which sounded like a call was implemented on a practical level in the writings of such figures of the Proletkult as B. Arvatov, V. Pletnev, A. Bogdanov, etc.
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