蚕食传统:罗梅罗的僵尸和血腥盛宴

The Style of Sleaze Pub Date : 2018-07-01 DOI:10.3366/edinburgh/9781474409254.003.0008

C. Waddell

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引用次数: 0

摘要

在本章中，《血色盛宴》和乔治·罗梅罗的《活死人之夜》被认为是美国恐怖电影新浪潮的起源。虽然这两部电影在某些风格属性上非常不同，比如它们对特写镜头的使用，但它们比之前的研究所暗示的有更多的共同点。本文还介绍和讨论了剥削恐怖电影的五个主要特点。

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Cannibalising Tradition: Romero’s Zombies and a Blood Feast

For this chapter, ‘Blood Feast’ and George Romero’s ‘Night of the Living Dead’ are discussed as the genesis of the new wave of American horror cinema. Whilst the two are very different films, in terms of certain stylistic attributes, for instance their use of the close-up, they have more in common than previous studies have alluded. Five key tropes of the exploitation-horror film are also introduced and discussed.

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The Style of Sleaze

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