美术中的抽象:敖德萨的探索

Antonina Dubrivna
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摘要

本文是在敖德萨艺术文化背景下对抽象艺术表现形式进行全面考察的研究,分析了这个南乌文化中心美术中抽象艺术表现形式产生的前提、形成和特征。它提供了抽象作为一种独特的艺术形式的新观点,基于从过去到现在运作的普遍文化代码。本研究的方法论和理论概念决定了复杂的研究方法,包括运用系统分析和比较历史的方法来研究敖德萨文化艺术区域美术中抽象元素发展的特征。它提供了关于它们的属性、特征、内容和发展动态的可靠性的客观表述和知识。在此背景下,运用形式方法分析敖德萨艺术家在抽象艺术领域的艺术成就。对敖德萨地区艺术实践中抽象的形成过程和表现形式的分析表明,乌克兰民间文化、古代艺术文化的传承与乌克兰先锋派的资产有着风格上的联系。报告指出,空间和时间关系相互依存,在发展中具有某些活跃的里程碑,并受社会政治进程的制约。该研究的科学新颖性在于对抽象艺术作为一种跨历史的艺术形式的新看法,它表达了几代人几百年来的民族文化和艺术经验。它扩展了国内外艺术研究的既定推论,将其与抽象主义的表现形式联系起来,作为现代主义艺术的一个方向。实践意义在于拓展和深化了对当代文化和非客观艺术的现代化进程进行科学研究的理论和方法基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ABSTRACTION IN THE FINE ARTS: EXPLORATION OF ODESSA
ION IN THE FINE EXPLORATION OF ODESSA The paper is a study that comprehensively examines abstract artistic expression in the context of artistic culture of Odessa, it is analyzed the premise of the emergence, formation, and features of the manifestations of the abstraction in the fine arts of this South-Ukrainian cultural center. It is offered a new view of abstraction as a unique artistic form, based on universal cultural codes that operate from the past to the present. The methodological and theoretical concept of this research determined the complex approach and consisted in applying the system-analytical and comparative-historical method in the studied features of the development of abstract elements in the Fine Arts of Odessa’s cultural and artistic region. It is provided objective representations and knowledge about the reliability of their properties, features, content, and dynamics of their development. In this context, the formal method used to analyze the artistic achievements of Odessa artists in the sphere of Abstract Art. The analysis of the processes of formation and manifestations of abstraction in the art practices of the Odessa region demonstrates a stylistic connection to the heritance of Ukrainian Folk Culture, Ancient Artistic Culture and is based on the assets of the Ukrainian Avant-Garde. It is noted the interdependence of spatial and temporal relations, having certain milestones of activation in development and conditioned by socio-political processes. Scientific novelty of the study consisted of a new view to abstraction as a transhistorical style of art, which expresses the centuries-old ethnocultural and artistic experience of generations. It is expanded the established inferences of domestic and foreign art studies, which connect it with manifestations of abstractionism as one of the directions of the art of modernism. Practical significance is due to the expansion and deepening of the theoretical and methodological basis for the scientific research of the modernization processes that take place in contemporary culture and the Non-Objective Art.
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