自由想象力Guantánamo

R. Adelman
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引用次数: 0

摘要

在对Guantánamo湾被拘留者的描述中,政府的意图显而易见。但是,国家并不是调解被拘留者声音的唯一实体:代表他们工作的个人和组织也一样。阅读anti-Guantánamo行动主义的历史,本章表明,它往往依赖于消除被拘留者的政治主体性和拒绝被拘留者愤怒的可能性。三个案例研究证实了这一点。首先,马萨诸塞州和加利福尼亚州的一系列市议会决议将假设的欢迎扩展到假设释放的被拘留者;这一章质疑了这种极度有条件的款待背后的政治因素,以及支撑这种款待的美国例外论假设。美国例外论是分析下一个项目的核心,该项目是Guantánamo纪录片项目的见证人,该项目收集了前被拘留者的证词。W2G做了重要的记录工作,但它的结构也迫使被拘留者提供宽恕和美国善良的恢复愿景。接下来,本章探讨了被拘留者创造性生产的政治,特别关注流通和消费的实践,以及他们向观众承诺的亲密关系的虚拟体验。本章以对Guantánamo的过去和未来的幻想重述的批评结束。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Liberal Imaginaries of Guantánamo
In its depictions of Guantánamo Bay detainees, the state’s agenda is obvious. But the state is not the only entity that mediates detainees’ voices: so, too, do the individuals and organizations that work on their behalf. Reading the history of anti-Guantánamo activism, the chapter demonstrates that it often relies on an erasure of detainee political subjectivity and a refusal of the possibility of detainee anger. Three case studies bear this out. First, a set of city-council resolutions from Massachusetts and California that extended hypothetical welcomes to select detainees on their hypothetical release; the chapter queries the politics of this deeply conditional hospitality and the presumptions of American exceptionalism underpinning it. American exceptionalism is central to the analysis of the next object, the Witness to Guantánamo documentary project, which collects testimonies from former detainees. W2G does crucial documentary work, but its structure also compels the detainees to offer forgiveness and recuperative visions of American goodness. Next, the chapter explores the politics of detainee creative production, with a particular attention to practices of circulation and consumption, and the fictive experiences of intimacy that they promise their audiences. The chapter ends with a critique of a fanciful renarration of Guantánamo’s past and future.
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