生态挽歌中的创伤与启示

C. Barajas
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引用次数: 0

摘要

《流浪者》和《废墟》作为生态挽歌读起来颇有成效:它们探索了地球社区内部不断变化的关系。《漫游者》为观众提供了一幅典型的自然抑郁的肖像,一种人类的流亡模式,情感创伤,以及对地球社区的认同作为一种治疗方式的接受。这首诗肯定了地球社区的非人类元素可以积极改善人类邻居的精神状态,并调和世界末日的损失。《废墟》将这种世界末日的意象与一个想象中的未来进行了对比,在这个未来中,地球社会对人类社会的毁灭做出了回应,但最终比人类社会的毁灭更长久。这些生态挽歌鼓励观众思考基督教历史的长远观点,安抚人们对人类与非人类关系的焦虑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Trauma and Apocalypse in the Eco-elegies
The Wanderer and The Ruin are productively read as eco-elegies: explorations of changing relationships within the Earth community. The Wanderer offers its audience an exemplary portrait of natural depression, a human pattern of exile, emotional trauma, and acceptance which relies on identification with the Earth community as a way of healing. The poem affirms the idea that other-than-human elements of Earth community can actively improve the mental state of their human neighbors and reconcile apocalyptic loss. The Ruin contrasts this apocalyptic imagery with an imagined future where the Earth community responds to, but ultimately outlasts, the destruction of human societies. These eco-elegies encourage audiences to consider the long view of Christian history, pacifying anxieties about human relationships with other-than-human.
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