西方亚美尼亚女作家小说中女性角色的类型学

Naira Hambardzumyan, Siranush Parsadanyan
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摘要

本研究的目的是在19世纪下半叶和20世纪初奥斯曼帝国社会转型的背景下,探讨女作家斯布希·图萨布、西皮尔和扎佩尔·叶萨扬作品中的女性角色类型。本文从文学和社会学的角度,对秋萨布的小说《梅塔》(1881)、《西拉努什》(1884)、《阿拉克西亚或女教师》(1887)、西皮尔的《少女的心》(1895)和叶萨扬的《西利塔花园》(1935)中的女性角色进行了比较分析。应用基于图的语义表示方法对数据进行分析。该研究的现实性在于其跨学科性,在文学研究、社会学和计算机科学之间建立了相互联系。选择这些作品作为研究资料的原因是它们体积大、人物多样、情节简单、分支少。所有小说中的主要人物都是女性。所有的小说都写于同一时期(19世纪80年代至20世纪90年代),具有浪漫主义小说的特征,除了Zapel Yesayan的自传体小说《西利塔花园》(Gardens of Silihtar)写于1935年。尽管小说写于那年,叶萨扬在书中描述的时期(19世纪末)也反映在秋萨卜和西皮尔的小说中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TYPOLOGY OF FEMALE CHARACTERS IN THE NOVELS OF WESTERN ARMENIAN FEMALE AUTHORS
The aim of the research is to explore the typology of female characters in the works of female writers Srbuhi Tyusab, Sipil and Zapel Yesayan in the context of social transformations in the Ottoman Empire of the second half of the 19th and the beginning of the 20th centuries. A comparative analysis of female characters in the novels Mayta (1881), Siranush (1884), Araksia or the Governess (1887) by Tyusab, A Girl’s Heart (1895) by Sipil, and Gardens of Silihtar (1935) by Zapel Yesayan has been attempted from the perspectives of literary and sociological studies. The data are analysed with the application of the graph-based semantic representation method. The actuality of the research lies in its interdisciplinarity, according to which mutual connections are created between literary studies, sociology and computer science. The selection of these works as research data is accounted for by their volume, variety of characters, simplicity of plots and little branching. All the main characters in all the novels are females. All the novels were written around the same time period (the 1880s-1900s) and bear characteristics of a romantic novel, except Zapel Yesayan’s autobiographical novel Gardens of Silihtar written in 1935. Despite the year the novel was written, in it Yesayan describes the same period (the end of the 19th century) reflected in Tyusab’s and Sipil’s novels.
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