爪哇传统艺术在廖内马来地区的保存

Wahyuning Tiyas, T. Retnowati
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引用次数: 0

摘要

廖内省通常被认为是一个马来地区,但它的一些地区被移民占领,特别是来自爪哇的移民,如Sialang Sakti村。尽管这些村民生活在廖内的马来地区,但他们努力保护爪哇的艺术和文化。这一努力是通过建立一个名为Jaranan Krido Budoyo的爪哇艺术社区来实现的。Jaranan——一种与传统马共舞的舞蹈——是一种在爪哇很受欢迎的传统艺术,尤其是在农村。它不仅保存了爪哇的艺术和文化,而且还试图证明当地艺术可以在远离其发源地的地方发展。毫无疑问,爪哇佳美兰的声音、舞蹈和歌声不仅吸引了许多爪哇人,也吸引了其他民族的人。周围社区的反应似乎非常积极,大量的观众观看了这场艺术表演。Jaranan Krido Budoyo已经走过廖内省的各个地区,并在各种庆祝活动中表演。保留的教育价值是尊重文化差异,热爱自己的本土文化,欣赏现有的当地艺术。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jaranan Krido Budoyo as the Preservation of Javanese Traditional Arts in Riau Malay Land
Riau has been commonly recognized as a Malay region, but some of its areas are occupied by migrants, especially from Java, such as Sialang Sakti village. These village dwellers strive to preserve Javanese art and culture even though they live in the Malay region of Riau. The effort was channeled by establishing a Javanese arts community named Jaranan Krido Budoyo. Jaranan – a dance with traditional hobbyhorses – is a customary art that is popular in Java, especially in rural villages. Not only does it preserve Javanese art and culture, but it also seeks to prove that local arts can develop even far from its originating area. The sounds of Javanese gamelan, dance, and singing unquestionably attract many not only Javanese populations but also other ethnic groups. The reaction of the surrounding community seems very positive, unveiled by the large number of spectators who watched this artistic performance. Jaranan Krido Budoyo has gone through various districts in Riau and has performed at various celebrations. The educational value reserved is to respect cultural differences, love of one's own indigenous culture, and appreciate the existing local arts.
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