被爱伦·坡占有:哈特·克兰在象征主义-现代主义语境下对伊·米利奥尔·法布洛的致敬

Alicja Piechucka
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引用次数: 0

摘要

本文探讨了哈特·克兰、斯特姆萨芬·马拉玛格和米娜·洛伊在各自的诗歌中向爱伦·坡致敬的方式。对这些颂词的比较注释揭示了这两位美国现代主义诗人和法国象征主义者对待他们杰出的美国前辈遗产的方式之间的联系和差异。鉴于爱伦·坡被认为是法国象征主义和美国现代主义诗歌的奠基人之一,而这三者之间又有着紧密的联系,因此将克兰、马拉玛丽和洛伊的诗歌文本进行批判性的并列比较似乎特别有价值。因此,本文进行的分析得出了更广泛的结论,即在美国和法国文学的背景下,可以被称为象征主义-现代主义统一体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Possessed by Poe: Hart Crane’s Tribute to il Miglior Fabbro in a Symbolist-Modernist Context
The article explores the ways in which Hart Crane, Stéphane Mallarmé and Mina Loy pay homage to Edgar Allan Poe in their respective poems. A comparative exegesis of the tributes in question reveals the connections as well as the differences between the ways the two American modernist poets and the French symbolist approach the legacy of their eminent American predecessor. A critical juxtaposition of Crane’s, Mallarmé’s and Loy’s poetic texts seems particularly worthwhile in view of the fact that Poe is regarded as one of the fathers of both French symbolism and American modernist poetry, which, in turn, are strongly interconnected. Consequently, the analysis undertaken in the present article results in broader conclusions concerning what, in the context of American and French literature, may be referred to as the symbolist-modernist continuum.
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