“酷日本”之后:文化民族主义研究

Hiroshi Yoshioka
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引用次数: 1

摘要

“日本”文化的含义是什么?在早期,它是关于寺庙、能剧、歌舞伎、Utamaro和侘寂。自明治时代(1868-1912)以来,这些传统图标一直被认为是典型的日本图标。然而,它们在今天仍然有意义吗?日本的文化认同是否发生了重大的突变?在当代,越来越多的人将日本文化与漫画、动画和电子游戏联系在一起,换句话说,与二战后的文化发展联系在一起。日本政府积极推动日本文化的这些新方面的普及,他们渴望采用“酷日本”的表达,灵感来自其英国前身的“酷大不列颠”。但并不是每个人都这么认为。在2011年3月11日的一系列灾难之后,日本艺术家Takamine Tadasu(1968-)对日本社会和文化进行了批判性的质疑,并于2012年在茨城县水户艺术塔展出了一件名为“Tadasu Takamine’s Cool Japan”的作品。本文对高胺所传达的关于当代日本文化认同的信息进行了反思和进一步发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
After “Cool Japan”: A Study on Cultural Nationalism
What is the meaning of “Japanese” culture? In earlier ages, it was about temples, Noh plays, Kabuki, Utamaro and Wabi-sabi. These traditional icons have, since the Meiji era (1868-1912), been identified as typically Japanese. Are they, however, still relevant today? Has there been any crucial mutation in the cultural identity of Japan? In the contemporary era, more and more people associate Japanese culture with Manga, animation and video games, in other words with cultural developments of the post-World War II era. The Japanese Government has actively promoted the popularity of these new aspects of Japanese culture as evidenced in their eagerness to adopt the expression “Cool Japan,” inspired by its British predecessor’s “Cool Britannia.” Everyone does not share that perception though. Following the 11th March 2011 series of disasters, Japanese artist Tadasu Takamine (1968-) worked on a critical questioning of Japanese society and culture, culminating in a work titled Tadasu Takamine's Cool Japan that was shown at the Art Tower Mito, in Ibaraki Prefecture (2012). The present essay reflects on and develops further the message conveyed by Takamine about contemporary Japanese cultural identity.
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