禁闭、行乞和街头音乐家的形成

Samuel Llano
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引用次数: 0

摘要

本章分析了圣贝纳迪诺济贫院和乐队创建的社会、历史和法律背景,以及他们的活动发展的背景。圣贝纳迪诺始建于1834年,目的是限制穷人,他们被视为公众耻辱和污染的来源,并被指责为马德里霍乱流行的罪魁祸首。监禁制度依赖于区分应得和不应得的穷人,目的是使他们富有成效。然而,济贫院严厉的纪律和不卫生的环境起到了威慑作用,迫使当局诉诸暴力,迫使不情愿的乞丐进入济贫院。盲人街头艺人在济贫院没有任何实际用途,他们在街头的出现越来越被容忍,这引发了关于残疾人的新立法,并改变了马德里音景的构成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Confinement, Mendicancy, and the Making of the Street Musician
This chapter analyzes the social, historical, and legal context in which the San Bernardino workhouse and band were created, and in which their activity developed. San Bernardino was founded in 1834 to confine the poor, who were seen as a source of public shame and contamination, and who were blamed for the rise of cholera epidemics in Madrid. The system of confinement relied on the distinction between deserving and undeserving poor and aimed to make them productive. The harsh discipline and deficient hygiene of workhouses, however, acted as deterrents and forced the authorities to resort to violence in order to force reluctant beggars into the workhouse. The increasingly tolerated presence on the streets of blind buskers, who were of no practical use in workhouses, gave rise to new legislation on disability and changed the composition of Madrid’s soundscape.
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