{"title":"马纳帕雷语类型搜索中的标题和词尾复合体","authors":"Daria M. Ledneva","doi":"10.37386/2305-4077-2022-3-107-125","DOIUrl":null,"url":null,"abstract":"Marina Palei quickly and distinctly entered Russian literature as a prose-narrator of the traditional type, but over time she began to work artistically vividly in various genre forms. The article analyzes the complex of headings and finals (CHF) of her prose works, and creative modifications of CHF in her screen and film prose «Long distance, ili slavianskii aktsent», «Letnii kinoteatr: Kinorasskazy» and in poetry books «Kontrol’nyipotselui v golovu», «Ingermanlandiia»,«Tiuremnyi perestuk», «Inok» as a process and result of her writer’s evolution.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"195 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE COMPLEX OF HEADINGS AND FINALS IN MARINA PALEI GENRE SEARCHES\",\"authors\":\"Daria M. Ledneva\",\"doi\":\"10.37386/2305-4077-2022-3-107-125\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Marina Palei quickly and distinctly entered Russian literature as a prose-narrator of the traditional type, but over time she began to work artistically vividly in various genre forms. The article analyzes the complex of headings and finals (CHF) of her prose works, and creative modifications of CHF in her screen and film prose «Long distance, ili slavianskii aktsent», «Letnii kinoteatr: Kinorasskazy» and in poetry books «Kontrol’nyipotselui v golovu», «Ingermanlandiia»,«Tiuremnyi perestuk», «Inok» as a process and result of her writer’s evolution.\",\"PeriodicalId\":187515,\"journal\":{\"name\":\"Culture and Text\",\"volume\":\"195 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Culture and Text\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37386/2305-4077-2022-3-107-125\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture and Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37386/2305-4077-2022-3-107-125","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
玛丽娜·帕莱以传统类型的散文式叙述者的身份迅速进入俄罗斯文学，但随着时间的推移，她开始以各种体裁形式生动地进行艺术创作。文章分析了她散文作品的标题和韵尾复合体(CHF)，以及在她的影视散文《遥远的斯拉维扬斯基阿克森》、《Letnii kinoteatr: Kinorasskazy》和诗集《Kontrol’nyipotselui v golovu》、《Ingermanlandiia》、《tiurenyi perestuk》、《Inok》中对标题和韵尾复合体的创造性修改，这是她作家进化的过程和结果。
THE COMPLEX OF HEADINGS AND FINALS IN MARINA PALEI GENRE SEARCHES
Marina Palei quickly and distinctly entered Russian literature as a prose-narrator of the traditional type, but over time she began to work artistically vividly in various genre forms. The article analyzes the complex of headings and finals (CHF) of her prose works, and creative modifications of CHF in her screen and film prose «Long distance, ili slavianskii aktsent», «Letnii kinoteatr: Kinorasskazy» and in poetry books «Kontrol’nyipotselui v golovu», «Ingermanlandiia»,«Tiuremnyi perestuk», «Inok» as a process and result of her writer’s evolution.
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