ArtistRank:对巴西唱片业的分析

Felipe Lopes de Melo Faria, D. M. B. Paiva, Álvaro R. Pereira
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引用次数: 0

摘要

唱片业的情况改变了衡量艺术家受欢迎程度的方式。通过在电台上销售唱片或播放歌曲来衡量艺术家受欢迎程度的方式被艺术家在数字媒体上的传播所取代。像《公告牌》和《滚石》这样的杂志建立了艺术家排名,我们可以观察到,尽管产生了许多不同的结果,但它们在唱片业中是被接受的。然而,他们并没有一个完全开放的方法。在这种背景下,这项工作旨在应用一种方法来构建艺术家排名,考虑到来自数字媒体和电视的数据在国家唱片业的情况下。我们的结论是,该方法呈现出令人满意的结果和重要的见解,与巴西留声机场景的现实一致。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ArtistRank: an Analysis for the Brazilian Phonographic Scenario
The phonographic scenario has changed the way of measuring the artist's popularity. The measurement of an artist's popularity by selling discs or plays on radios was replaced by the artist's dissemination in digital media. Magazines such as Billboard and Rolling Stone build artists rankings, and we may observe that, despite producing many different results, they are accepted in the phonographic scenario. However, they do not have a totally open methodology. In this context, this work aims to apply a methodology for the construction of rankings of artists considering data coming from digital media and TV in the national phonographic scenario. We concluded that the methodology presents satisfactory results and important insights, consistent with the reality of the Brazilian phonographic scenario.
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