建筑和体现自由游戏

IF 1 2区艺术学 0 ART

JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2020-05-18 DOI:10.1111/jaac.12718

EMILY HODGES

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引用次数: 0

摘要

本文认为，建筑使一种独特形式的审美体验成为可能，我将从康德的角度出发，称之为体现的自由游戏。我认为建筑的目的是鼓励、培养和实现人类活动，同时也成为这些活动的结晶。我将展示这种互动的生命系统被称为“场所”，因为我探索了人工制品、运动、活动和环境在场所创造中的作用。我认为，当一个地方的具体活动和设计协调一致时，就有可能实现充分的自由游戏，日常生活也可以包含审美体验。

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Architecture and Embodied Free Play

This article argues that architecture makes possible a unique form of aesthetic experience, one involving what I will call, departing from a Kantian perspective, embodied free play. I argue that architecture's purpose is to encourage, cultivate, and enable human activities while also becoming crystallizations of those very activities. I will show that the living system of such interaction is called “place,” as I explore the role of artifacts, movement, activities, and the environment in place creation. I show that when the embodied activities and design of a place harmonize, a fullness of free play is made possible and daily living can involve aesthetic experience.

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来源期刊

JOURNAL OF AESTHETICS AND ART CRITICISM Multiple-

CiteScore

1.50

自引率

25.00%

发文量

期刊介绍： The Journal of Aesthetics and Art Criticism publishes current research articles, symposia, special issues, and timely book reviews in aesthetics and the arts. The term aesthetics, in this connection, is understood to include all studies of the arts and related types of experience from a philosophic, scientific, or other theoretical standpoint. The arts are taken to include not only the traditional forms such as music, literature, landscape architecture, dance, painting, architecture, sculpture, and other visual arts, but also more recent additions such as photography, film, earthworks, performance and conceptual art, the crafts and decorative arts, contemporary digital innovations, and other cultural practices, including work and activities in the field of popular culture.