“对不可能之事的敏锐观察者……”

Viacheslav A. Koshelev
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引用次数: 0

摘要

这篇文章从1849年到1850年的书信往来中,观察了a·a·费特和他的朋友鲍里索夫的生活环境和爱情失败。喜剧《机智的悲哀》中的全家福以及莫尔查林和查茨基的形象也有相似之处。费特对格里博多夫的看法,以及他从喜剧《机智的悲哀》中借来的带翼词语的使用,都得到了评论。格里博多夫的提名的意义是“一个现成的观察者的不可能”被揭示。分析了喜剧人物的生平和生活环境;在格里博多夫作品的背景下,从历史的角度来看,索菲亚之手的候选人的形象和他们的生活策略得到了解释,注意到对Molchalin形象的各种解释。格里勃多夫的创新与传统文学情节中以“善”的胜利和“恶”的惩罚为中心的道德视角的破坏有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“A READY-WITTED OBSERVER OF THE IMPOSSIBLE...”
The article offers observations on life circumstances and love failures of A. A. Fet and his friend I. P. Borisov, reflected in their correspondence between 1849 and 1850. Parallels are found with the family picture in the comedy “Woe from Wit” and the images of Molchalin and Chatsky. The way Fet percepted Griboedov is commented as well as his use of winged words borrowed from the comedy “Woe from Wit”. The meaning of Griboedov’s nomination of “a ready-witted observer of the impossible” is revealed. The biographies and life circumstances of the characters of the comedy are analysed; in the context of Griboedov’s works and a historical perspective, the images of the candidates for the hand of Sophia and their life strategies are interpreted, various interpretations of the image of Molchalin are noted. The innovation of Griboedov connected with the destruction of the moral perspectives in the traditional literary plot focused on the triumph of “the virtue” and the punishment of “the vice” is demonstrated.
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