艺术工艺和精雕细琢的艺术

Nick Braae
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引用次数: 0

摘要

本章介绍了皇后乐队歌曲结构的三种常见策略:常规模板(如AABA或主歌合唱),添加材料的常规模板(如主歌合唱与两个桥段),以及情节(多个部分的不规则序列)。这些类型的形式出现在相对平等的措施和相对一致性在女王的输出。除了这些策略之外,有人认为皇后乐队的形式方法可以理解为平衡“艺术”和“工艺”技术,借鉴了科瓦奇对披头士乐队的分析。结构简单的歌曲往往充满了调音或其他丰富的和声装置;结构更复杂的歌曲仍然保留了强烈的音调安全感和短语规律性。因此,皇后乐队被定位在20世纪70年代流行音乐和进步作曲美学的中间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Artistic Craft and Crafted Artistry
This chapter presents three common strategies that account for the structures of Queen’s songs: conventional templates (such as AABA or Verse-Chorus), conventional templates with added material (such as Verse-Chorus with two bridge sections), and episodic (irregular sequence of multiple sections). These types of forms appear in relatively equal measure and with relative consistency across Queen’s output. Beyond these strategies, it is argued that Queen’s approach to form may be understood as balancing ‘artistic’ and ‘craft’ techniques, drawing on Covach’s analysis of The Beatles. Songs with simple structures are often imbued with modulations or other rich harmonic devices; songs with more complex structures still retain a strong sense of tonal security and phrase regularity. Queen is thus positioned in the middle of pop and progressive compositional aesthetics from the 1970s.
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