北印度虔诚音乐的自动类型分类

S. Kini, Sankalp Gulati, P. Rao
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引用次数: 18

摘要

基于音频信号的音乐体裁自动分类是近年来研究的热点。虽然流派识别是一项主观任务,可能涉及高层次的音乐属性,如乐器、风格、节奏和旋律,但低级声学特征已被广泛应用于自动任务,并取得了不同程度的成功。在这项工作中,我们考虑了印度北部音乐的流派,特别是bhajan和qawwali的宗教音乐子流派。两者都植根于北印度古典音乐的框架,并且在服务于相同的社会文化功能的意义上是相似的,即使是同一地区的不同宗教团体。表征音色的特征,以及音色特征的节奏和调制谱形式的时间特征,被证明是潜在的有效鉴别器,从两种音乐类型的摘录数据库中进行的分类实验中可以看出。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Automatic genre classification of North Indian devotional music
The automatic classification of musical genre from audio signals has been a topic of active research in recent years. Although the identification of genre is a subjective task that likely involves high-level musical attributes such as instrumentation, style, rhythm and melody, low-level acoustic features have been widely applied to the automatic task with varying degrees of success. In this work, we consider the genres of the music of northern India, in particular the devotional music sub-genres of bhajan and qawwali. Both are rooted in the framework of North Indian classical music and are similar in the sense of serving the identical socio-cultural function even if for different religious communities of the same region. Features representing timbre, as well as temporal characteristics in the form of tempo and modulation spectra of timbral features, are shown to be potentially effective discriminators as seen by classification experiments performed on a database of excerpts drawn from the two music genres.
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