多元文化主义在马来西亚传统建筑装饰母题中的反映

Norzalifa Zainal Abidin, Puteri Shireen Jahn Kassim, Tengku Anis Qarihah Raja Abdul Kadir
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引用次数: 0

摘要

关于多元文化主义如何与公共建筑外立面的包容性认同联系在一起,人们一直在争论:但它必须植根于整体的地方认同。这种多元文化元素的丰富性体现在传统公共建筑中应用的各种主题上。本文还将讨论这种多元文化主义的影响。本文回顾了马来西亚的宫殿、贵族住宅和清真寺的建筑构件和元素的一系列构成分析,以研究基于元素的复合元素词汇,以及从选定的建筑元素中与当地特有的马来身份和传统装饰主题的联系;对墙体和通风板、门扇、楼梯和栏杆等进行了提取和形态学研究。案例研究摘自巴莱巴沙吉打(1896年)、伊斯坦贾哈(1887年)、哥打巴鲁(1903年)、伊斯坦班达(1903年)、吉朗、马六甲Rumah Panglima Ghani Melaka和马六甲清真寺(马来西亚)。这些母题被分解成多元文化的组成部分和元素,以显示词汇和颜色的使用,同时也反映了这些母题组成背后的象征意义。对这些元素的基本理解反映了这些装饰主题中所使用的多元文化的丰富性和词汇。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Multiculturalism as a Reflection in the Decorative Motif in Malaysia Traditional Buildings
Multiculturalism is under constant debate as to how it is linked to developing inclusive identity in the facades of public buildings: yet it must be rooted in overall local identity. The richness of this multiculturalism elements is reflected in the various motifs applied in the traditional public buildings. Influences of this Multiculturalism will also be discussed in this paper. The paper reviews a series of composition analyses of the motifs in the building components and elements of palaces, an aristocratic house and a mosque in Malaysia in order to study the composite elemental vocabulary based elements and the links to the local endemic Malay identity and traditional decoration motifs from the selected building elements; such as wall and ventilation panels, door leafs, staircases and balustrades are extracted n studied morphologically. Case study taken from Balai Besar Kedah, (1896) Istana Jahar (1887) Kota Bharu, Istana Bandar (1903) Kelang, Rumah Panglima Ghani Melaka and Masjid Tengkera Melaka (Malaysia). The motifs are broken down into constituent multicultural components and elements to show vocabulary and usage of colour which also reflect the symbolic meanings behind these motif compositions. The basic understanding of these elements are shown to reflect the multiculturalism richness and vocabulary used in these decoration motifs.
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