THEMATIC DEVELOPMENT AND EARLY DRAMATURGY BY D. D. SHOSTAKOVICH

The article is devoted to the analysis of the dramatic patterns in the early quartets of D. Shostakovich. The features of the content and form formation in the quartets are determined. The purpose of the study is to determine the specificity of thematic development, which determines the laws of musical drama. The scientific novelty of the research lies in the study of the peculiarities of the organization of the integral structure in quartets on the basis of the intonational unity of the parts, as a manifestation of the essence of D. Shostakovich's chamber style. As a result, it was revealed that the figurative and emotional structure of music in quartets is aimed at embodying a multifaceted image in its development, reflecting the wealth and unity of its internal opposites.