{"title":"剥削女性","authors":"C. Waddell","doi":"10.3366/edinburgh/9781474409254.003.0012","DOIUrl":null,"url":null,"abstract":"As per the title, this chapter talks about how the blaxploitation style evolved, however briefly, into a glossier stylistic approach with a female-led perspective. The film ‘Coffy’, which made Pam Grier a superstar, is maintained to be a game-changing text which also concluded blaxploitation as a viable commercial force. The motion picture, made by the independent studio AIP which was primarily a B-movie company, took the blaxploitation ethos into a more lavish production style and – arguably – began to move its various representations into a direction that took it away from its radical underground roots.","PeriodicalId":325933,"journal":{"name":"The Style of Sleaze","volume":"44 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Blaxploitation Female\",\"authors\":\"C. Waddell\",\"doi\":\"10.3366/edinburgh/9781474409254.003.0012\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"As per the title, this chapter talks about how the blaxploitation style evolved, however briefly, into a glossier stylistic approach with a female-led perspective. The film ‘Coffy’, which made Pam Grier a superstar, is maintained to be a game-changing text which also concluded blaxploitation as a viable commercial force. The motion picture, made by the independent studio AIP which was primarily a B-movie company, took the blaxploitation ethos into a more lavish production style and – arguably – began to move its various representations into a direction that took it away from its radical underground roots.\",\"PeriodicalId\":325933,\"journal\":{\"name\":\"The Style of Sleaze\",\"volume\":\"44 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Style of Sleaze\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474409254.003.0012\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Style of Sleaze","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474409254.003.0012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
As per the title, this chapter talks about how the blaxploitation style evolved, however briefly, into a glossier stylistic approach with a female-led perspective. The film ‘Coffy’, which made Pam Grier a superstar, is maintained to be a game-changing text which also concluded blaxploitation as a viable commercial force. The motion picture, made by the independent studio AIP which was primarily a B-movie company, took the blaxploitation ethos into a more lavish production style and – arguably – began to move its various representations into a direction that took it away from its radical underground roots.