{"title":"国史还是娱乐:在说英语的观众的讨论中，一部韩国电视剧的命运","authors":"Alexandra V. Tarasova","doi":"10.31249/hoc/2021.03.11","DOIUrl":null,"url":null,"abstract":"The article explores the reaction of English-speaking fans of South Korean TV series to the cancellation of the historical fantasy «The Joseon Exorcist» in March 2021. The reason was the interpretation of one of the periods of Korean history in the 15 th century. The article analyzes the differences in the models of perception of the past among foreign viewers, and also clarifies the limits of the impact of the global audience on the cultural product created for the internal audience.","PeriodicalId":256945,"journal":{"name":"Herald of Culturology","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"NATIONAL HISTORY OR ENTERTAINMENT: THE FATE OF ONE SOUTH KOREAN TV SERIES IN THE DISCUSSIONS OF ENGLISH-SPEAKING VIEWERS\",\"authors\":\"Alexandra V. Tarasova\",\"doi\":\"10.31249/hoc/2021.03.11\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article explores the reaction of English-speaking fans of South Korean TV series to the cancellation of the historical fantasy «The Joseon Exorcist» in March 2021. The reason was the interpretation of one of the periods of Korean history in the 15 th century. The article analyzes the differences in the models of perception of the past among foreign viewers, and also clarifies the limits of the impact of the global audience on the cultural product created for the internal audience.\",\"PeriodicalId\":256945,\"journal\":{\"name\":\"Herald of Culturology\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Herald of Culturology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31249/hoc/2021.03.11\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Herald of Culturology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31249/hoc/2021.03.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
NATIONAL HISTORY OR ENTERTAINMENT: THE FATE OF ONE SOUTH KOREAN TV SERIES IN THE DISCUSSIONS OF ENGLISH-SPEAKING VIEWERS
The article explores the reaction of English-speaking fans of South Korean TV series to the cancellation of the historical fantasy «The Joseon Exorcist» in March 2021. The reason was the interpretation of one of the periods of Korean history in the 15 th century. The article analyzes the differences in the models of perception of the past among foreign viewers, and also clarifies the limits of the impact of the global audience on the cultural product created for the internal audience.
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