{"title":"视差视图","authors":"D. Thomson","doi":"10.7591/cornell/9781501736094.003.0007","DOIUrl":null,"url":null,"abstract":"In this chapter, legendary critic David Thomson revisits Alan J. Pakula's The Parallax View, one of the signature “paranoid thrillers” of the 1970s—a film that offers itself as a color film noir for the 70s. According to Thomson, Pakula's exploration of paranoia was as filled with delight as dread. Looking back, we can see the film as a step in the progress of Warren Beatty (the star you dare not trust), as Pakula painted a portrait of the spreading unease of the era with an evocation of the anti-social killer personality - a type that would be terribly fulfilled in the years to come.","PeriodicalId":416491,"journal":{"name":"When the Movies Mattered","volume":"26 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Parallax View\",\"authors\":\"D. Thomson\",\"doi\":\"10.7591/cornell/9781501736094.003.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this chapter, legendary critic David Thomson revisits Alan J. Pakula's The Parallax View, one of the signature “paranoid thrillers” of the 1970s—a film that offers itself as a color film noir for the 70s. According to Thomson, Pakula's exploration of paranoia was as filled with delight as dread. Looking back, we can see the film as a step in the progress of Warren Beatty (the star you dare not trust), as Pakula painted a portrait of the spreading unease of the era with an evocation of the anti-social killer personality - a type that would be terribly fulfilled in the years to come.\",\"PeriodicalId\":416491,\"journal\":{\"name\":\"When the Movies Mattered\",\"volume\":\"26 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-06-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"When the Movies Mattered\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7591/cornell/9781501736094.003.0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"When the Movies Mattered","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7591/cornell/9781501736094.003.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In this chapter, legendary critic David Thomson revisits Alan J. Pakula's The Parallax View, one of the signature “paranoid thrillers” of the 1970s—a film that offers itself as a color film noir for the 70s. According to Thomson, Pakula's exploration of paranoia was as filled with delight as dread. Looking back, we can see the film as a step in the progress of Warren Beatty (the star you dare not trust), as Pakula painted a portrait of the spreading unease of the era with an evocation of the anti-social killer personality - a type that would be terribly fulfilled in the years to come.
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