有其母必有其子?

H. Shapiro
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引用次数: 0

摘要

这一章探讨了赫尔墨斯和他的母亲玛雅在文学文本中的关系,主要是赫尔墨斯的荷马赞美诗,以及公元前六世纪的阿提卡花瓶画。有人建议,花瓶的一些令人困惑的方面,如各种动物的流行,可以通过参考《圣歌》的元素来理解,并且至少有一个被广泛讨论的花瓶可以根据这种关系重新解释。570年弗朗斯帕拉索瓦花瓶上对爱马仕和玛亚的独特描绘预示了后来在诗歌和绘画中发现的一些东西。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Like Mother, Like Son?
The chapter explores the relationship between Hermes and his mother Maia in literary texts, primarily the Homeric Hymn to Hermes, and in Attic vase-painting of the sixth century BCE. It is suggested that some puzzling aspects of the vases, such as the prevalence of various animals, can be understood with reference to elements of the Hymn, and that at least one much-discussed vase can be reinterpreted in the light of this relationship. The unique depiction of Hermes and Maia on the François Vase of c.570 anticipates some of what is found later in both poetry and painting.
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