现场表演中互动的概念化:对“编码”的思考

Andrew Johnston
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引用次数: 18

摘要

本文详细介绍了负责舞蹈和物理戏剧作品《编码》的指导、编舞、交互设计和表演的创意团队的经验。访谈、观察和对个人经验的反思,让我们看到了一系列关于设计、使用和创造性探索互动系统的不同观点。总的来说,这项工作本身,特别是对互动系统的使用,被认为是成功和连贯的,即使参与者的方法和关注的问题往往明显不同。在创作发展的轨迹中,探索性的即兴创作和迭代设计逐渐被“锁定”,为最终的演出和巡演做准备。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conceptualising interaction in live performance: reflections on 'encoded'
This paper presents a detailed examination of experiences of the creative team responsible for the direction, choreography, interaction design and performance of a dance and physical theatre work, Encoded. Interviews, observations and reflection on personal experience have made visible a range of different perspectives on the design, use and creative exploration of the interactive systems that were created for the work. The work itself, and in particular the use of interactive systems, was overall considered to be successful and coherent, even while participants' approaches and concerns were often markedly different. A trajectory of creative development in which exploratory improvisation and iterative design gradually became 'locked down' in preparation for final performance and touring is described.
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