Gayto gazdanov在这20年里的实验故事

HUMANITARIAN RESEARCHES Pub Date : 1900-01-01 DOI:10.21672/1818-4936-2021-79-3-137-141

K. ELENA V.

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引用次数: 0

摘要

加兹达诺夫的处女作小说的诗学与他后来的作品的诗学有很大的不同。这些差异在写作、情节、风格等方面表现得尤为明显，并带有20世纪上半叶文学创新的印记。对加兹达诺夫处女作的分析使我们注意到，它们已经是现代主义(后来是后现代主义)美学的可见元素:对传统构图、阴谋、情节的拒绝;模仿、游戏、自嘲等。

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GAYTO GAZDANOV'S EXPERIMENTATION IN THE STORIES OF THE 20-YEARS

The poetics of the debut stories of Gazdanov is very different from the poetics of the stories of subsequent periods of his work. These differences are especially evident in composition, plot, style and bear the imprint of innovation for literature of the first half of the XX century. An analysis of the debut stories of Gazdanov allowed us to note that they are already visible elements of the aesthetics of modernism (later, postmodernism): the rejection of the traditional composition, intrigue, plot; parody, game, self-irony, etc.

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HUMANITARIAN RESEARCHES

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