“永恒的奥波切涅茨”:流行歌曲和顿巴斯叛军的形成

I. Shuvalova
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引用次数: 0

摘要

摘要:自2014年顿巴斯战争爆发以来,“叛乱”一词与控制乌克兰东部部分地区的武装组织紧密联系在一起。亲政府的俄罗斯媒体采用了这个词,而乌克兰媒体则对它不屑一顾。“opolchenie”历来用于俄罗斯志愿军事编队,它突出了顿巴斯民兵基层性质这一有争议的观点。在政治上,它象征着动员起来抗击外国侵略者的“俄罗斯世界”(“Russkii mir”)的象征性整体。利用多模态话语分析,我仔细研究了这个名字背后的神话,研究了“叛乱分子”(“opolchenets”)的形象是如何在关于顿巴斯战争的当代流行歌曲中被培养成英雄和美德的俄罗斯的跨历史体现。我认为,歌曲有助于在顿巴斯地区构建和普及新的“opolchenets”身份,同时作为现有复杂地方身份的替代和延伸。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"The Timeless Opolchenets": Popular Songs and the Making of the Donbas Insurgent
Abstract:Since the outbreak of the war in Donbas in 2014, the term opolchenie (insurgency) has become firmly associated with the militant groups controlling parts of eastern Ukraine. The word emerged as their preferred autonym, adopted by the progovernment Russian media and snubbed by Ukrainian outlets. Historically applied to the Russian volunteer military formations, "opolchenie" foregrounds the contentious idea of the grassroots nature of Donbas militias. Politically, it gestures towards the symbolic totality of the "Russian World" ("Russkii mir") mobilized to fight off foreign invaders. Using multimodal discourse analysis, I scrutinize the myth behind the name, examining how the image of the "opolchenets" ("insurgent") is cultivated as a transhistorical embodiment of heroic and virtuous Russianness in contemporary popular songs about the war in Donbas. I argue that songs serve to construct and popularize the new "opolchenets" identity in the Donbas region, simultaneously as an alternative to and extension of extant complex local identities.
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