身体反思:伊利·希普利诗歌中的跨性别自我再现与反抗

Aimee Merrydew
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引用次数: 0

摘要

尽管人们对跨性别身份和公民权利的认识有所提高——由拉弗恩·考克斯(Laverne Cox)等知名名人推动——但美国主流媒体继续以有限和有害的眼光看待跨性别群体的日常生活。本文通过对Ely Shipley的《花男孩》的分析,认为第一人称诗歌提供了一种自我表现的方法和平台,以抵抗和反击跨化身的霸权叙事。在这样做的过程中,我将希普利的诗歌定位为对当代美国文化及其对性别身体的监管的反映,尤其是在当前的特朗普政府下。发展反思的主题,我认为“反思”在身体、心理和象征层面上运作,以探索它们如何记录在说话者自己的(跨性别)性别认同和体现的经历中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reflecting (On) the Body: Trans Self-Representation and Resistance in the Poetry of Ely Shipley
ABSTRACT Despite an increased awareness of trans identities and civil rights – facilitated by high-profile celebrities such as Laverne Cox – the mainstream US media continues to cast the everyday lives of trans communities in a limited and harmful light. Through an analysis of Ely Shipley’s Boy with Flowers, this article argues that first-person poetry offers a method for self-representation and platform to resist, as well as talk back to, hegemonic narratives of trans embodiment. In doing so, I position Shipley’s poetry as both a reflection of and on contemporary US culture and its policing of gendered bodies, especially under the current Trump administration. Developing the theme of reflection, I argue that the ‘reflections’ operate on physical, mental, and symbolic levels to explore how they register on the speaker’s own experiences of (trans)gender identity and embodiment.
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