班加湾独奏:音乐与河流的跨学科教学模式

Jui-Ching Wang
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引用次数: 0

摘要

音乐不能脱离它的历史、地理和文化背景;因此,重要的是要教学生从各种流派,文化和历史时期相关的音乐,他们被介绍。在这篇文章中,我介绍了一种跨学科的方法,通过音乐内容的语境化,用它来引导不同学科的相关作品的研究。这节课以印度尼西亚的索罗河为灵感,展示了激发学生进行综合思考的教学策略。通过探索音乐与相关学科的联系来教授自然环境,这个情境化的课程提供了一个全球性的学习体验,拓宽了学生对世界的认识。将《Bengawan Solo》的内容置于背景中,说明了历史和文化如何塑造了这首歌,并展示了这项工作如何作为学生探索其历史、地理和生态的跳板。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Flowing Down Bengawan Solo: An Interdisciplinary Lesson Model on Music and Rivers
Music cannot be separated from its historical, geographical, and cultural context; therefore, it is important that students be taught music from a variety of genres, cultures, and historical periods relevant to the music to which they are introduced. In this article, I introduce an interdisciplinary approach through contextualization of the content of music, using it to lead to the study of related works in various disciplines. Using a song inspired by Indonesia’s Solo River, a lesson sample demonstrates teaching strategies that motivate students to engage in integrative thinking. By exploring music’s connection with relevant subjects to teach about the natural environment, this contextualized lesson presents a global learning experience to broaden students’ knowledge of the world. Contextualizing the content of Bengawan Solo illustrates how history and culture shaped the song and demonstrates how this work can be used as a springboard for students’ exploration of its history, geography, and ecology.
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