W. Sitek
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引用次数: 0

摘要

英美电影以鬼屋为主题,讲述了一个家庭在经济危机时期的故事。文章中提到的大多数电影都有一个相似的模式:不是富裕家庭买或租大房子;他们相信这是他们未来的梦想之地,所以他们把最后的钱花在了房子的维修上。虽然他们破产了,但他们继续生活在他们的“美国梦”中。新自由主义的神话告诉他们,美国或英国社会没有经济失败者的容身之地。到这个时候,房子被恶魔纠缠的症状,随着超自然现象的妻子,丈夫和他们的孩子开始显示他们的恶魔(他们非常暴力和压力)。经济问题与人际家庭戏剧和社会关系的衰败有关。鬼屋恐怖事件表明,唯一的补救办法,他们可以找到在过去的问题。《燔祭》和《阿米蒂维尔恐怖》等电影中的角色认为,保守主义和旧价值观将有助于他们的处境。最后,事实证明,这种对过去的象征性回归只是另一种形式的意识形态压迫。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Widma dawnych wartości. Kryzysy ekonomiczne w filmach o nawiedzonych domach
British and American cinema used a haunted house motif to tell a story about a family in a time of economic crisis. Most of the movies mentioned in the article are found on a similar pattern: not wealthy family is buying or renting a big house; they believe that this is their future dream place, so they spend their last money on house repairs. Though they are broke, they continue to live on their „American dream”. Neoliberal myths instruct them that in American or British society there’s no place for economic losers. By this time house is reviling the symptoms of being haunted by the demons and along with the paranormal phenomena wife, husband and their children are starting to show their demons (they are extremely violent and stressed). Economic problems are linked with interpersonal family drama and the decay of social relations. Haunted house horrors are showing that the only remedy for their problems they can find in the past. Film characters from movies such as Burnt Offerings and The Amityville Horror believe that conservatism and old values are going to help their situation. In the end, it turns out that, this symbolic return to the past is just another form of ideological oppression.
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