印尼电影中的少女婚姻问题——对“尤尼”电影接受的分析

Estavita Chantik Pembayun, Mashita Phitaloka Fandia Purwaningtyas
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引用次数: 0

摘要

这部名为《尤妮》的电影讲述了一个名叫尤妮的年轻女孩在社会压力下结婚的故事。尽管这部电影通过在重要活动上获奖而获得了国际认可,但在社交媒体上却引发了各种各样的讨论。本研究旨在探讨电影“Yuni”对观众的意义,特别是对青少年结婚的女性。这是一种现象学研究,关注观众作为个体的体验。研究方法采用Stuart Hall的接受分析和编码与解码的概念,并使用Richard Dyer的刻板印象概念作为分析工具。本研究采用深度访谈、观察和文献研究。结果表明,听众的意义处于支配地位和协商地位。一个主导地位是通过一些场景出现的,这些场景表明已婚少女是仍然强大的父权制度循环的受害者,我们将限制婚后发展自己的选择。谈判立场出现在与女性在厨房、水井和床上必须聪明有关的刻板印象的场景中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Issue of Teenage Girl Marriage in Indonesian Films: Analysis of the "Yuni" Film Reception
The film titled “Yuni” talks about a young girl named Yuni who experiences pressure from her society to get married. Despite gaining international recognition through awards at prestigious events, this film has attracted various discourses on social media. This research aims to examine the audience’s meaning of the film “Yuni”, especially for women who have married in their teens. This is phenomenological research that focuses on the experience of the audience as individuals. The research method uses Stuart Hall’s reception analysis with the concept of encoding and decoding and uses the stereotype concept of Richard Dyer as an analytical tool. This research uses in-depth interviews, observations, and literature studies. The results show that the audience’s meaning is in a position of dominance and negotiation. A dominant position occurs through scenes that show that married teenage girls are victims of a still-strong cycle of patriarchal systems and we will limit the options to develop themselves for experience after marriage. The negotiating position occurs in scenes that show stereotypes related to women must be smart in matters of kitchens, wells, and beds.
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