{"title":"绘画修复师眼中的机器学习","authors":"Bart Devolder","doi":"10.1109/MBITS.2022.3205876","DOIUrl":null,"url":null,"abstract":"As a conservator specializing in paintings, I first got in contact with machine (deep) learning in 2015, when I was working as part of a team of conservators from the Royal Institute for Cultural Heritage (KIK-IRPA) restoring the Ghent Altarpiece (1426) by the van Eyck brothers.","PeriodicalId":448036,"journal":{"name":"IEEE BITS the Information Theory Magazine","volume":"21 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Machine Learning in the Eyes of a Painting Conservator\",\"authors\":\"Bart Devolder\",\"doi\":\"10.1109/MBITS.2022.3205876\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"As a conservator specializing in paintings, I first got in contact with machine (deep) learning in 2015, when I was working as part of a team of conservators from the Royal Institute for Cultural Heritage (KIK-IRPA) restoring the Ghent Altarpiece (1426) by the van Eyck brothers.\",\"PeriodicalId\":448036,\"journal\":{\"name\":\"IEEE BITS the Information Theory Magazine\",\"volume\":\"21 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"IEEE BITS the Information Theory Magazine\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/MBITS.2022.3205876\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"IEEE BITS the Information Theory Magazine","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/MBITS.2022.3205876","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Machine Learning in the Eyes of a Painting Conservator
As a conservator specializing in paintings, I first got in contact with machine (deep) learning in 2015, when I was working as part of a team of conservators from the Royal Institute for Cultural Heritage (KIK-IRPA) restoring the Ghent Altarpiece (1426) by the van Eyck brothers.
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