表现主义、印象派和后印象派绘画数据库:60件艺术作品的情感规范。

IF 1.5 3区 心理学 Q4 PHYSIOLOGY
Kamil K Imbir, Adrianna Wielgopolan, Julia Stępniewska, Katarzyna Benda
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引用次数: 0

摘要

现代画家的艺术不仅不同于早期创作的画布,而且表现出高度的内在变异性。意识到艺术史产生的条件,我们使用了印象派、后印象派和表现主义三个艺术运动的画作,看看我们是否能够通过使用社会科学特有的方法来回应艺术理论家的主张,并验证这些画作是刺激物,可能会根据它们所处的运动引发不同的情绪反应。我们想进行一项探索性分析,比较三种艺术运动对效价、唤醒和支配力的平均评估。共选择了60幅不同的绘画作品(每一艺术运动20幅),展示了具象作品和可见的人物形象。使用自评量表对他们进行了五种不同的情感量表评估:效价、唤醒、支配、起源和主观意义。研究结果显示,与印象派和后印象派相比,表现主义绘画在情感反应方面存在预期差异。因此,我们提供了第一个具有经验证的情感规范的情感刺激数据集,按其创建的艺术运动进行分类,并准备用于未来的实验研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Database of Expressionist, Impressionist, and Post-Impressionist paintings: Affective norms for 60 art pieces.

Modern painters' art is not only different from canvas created earlier, but also shows high internal variability. Being aware of the conditions arising from art history, we used paintings from three art movements-Impressionism, Post-Impressionism, and Expressionism, to see if we are able to respond to claims made by art theorists by using methods specific to social sciences, and validate the paintings as stimuli which might evoke different emotional reaction based on the movement they were created in. We wanted to conduct an exploratory analysis comparing the mean assessment of valence, arousal, and dominance among the three art movements. A total of 60 different paintings were selected (20 for each art movement) showing figurative works and visible human figures. They were assessed on five different affective scales: valence, arousal, dominance, origin, and subjective significance with use of Self-Assessment Manikins. The results showed expected differences in affective reactions to Expressionist paintings compared with those of Impressionist and Post-Impressionist ones. Therefore, we provided the very first dataset of emotional stimuli with validated affective norms, categorised by the art movement that they were created in and ready to be used in future experimental studies.

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来源期刊
CiteScore
3.50
自引率
5.90%
发文量
178
审稿时长
3-8 weeks
期刊介绍: Promoting the interests of scientific psychology and its researchers, QJEP, the journal of the Experimental Psychology Society, is a leading journal with a long-standing tradition of publishing cutting-edge research. Several articles have become classic papers in the fields of attention, perception, learning, memory, language, and reasoning. The journal publishes original articles on any topic within the field of experimental psychology (including comparative research). These include substantial experimental reports, review papers, rapid communications (reporting novel techniques or ground breaking results), comments (on articles previously published in QJEP or on issues of general interest to experimental psychologists), and book reviews. Experimental results are welcomed from all relevant techniques, including behavioural testing, brain imaging and computational modelling. QJEP offers a competitive publication time-scale. Accepted Rapid Communications have priority in the publication cycle and usually appear in print within three months. We aim to publish all accepted (but uncorrected) articles online within seven days. Our Latest Articles page offers immediate publication of articles upon reaching their final form. The journal offers an open access option called Open Select, enabling authors to meet funder requirements to make their article free to read online for all in perpetuity. Authors also benefit from a broad and diverse subscription base that delivers the journal contents to a world-wide readership. Together these features ensure that the journal offers authors the opportunity to raise the visibility of their work to a global audience.
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