Nordlit Tidsskrift i litteratur og kultur最新文献_第10页

Oppmerksomhet, fallgruvebevissthet og etikk: Vitenskapsfilosofiske refleksjoner

Nordlit Tidsskrift i litteratur og kultur Pub Date : 2018-12-06 DOI: 10.7557/13.4459

Anniken Greve

引用次数: 0

Louise Erdrich's The Round House: Restorative Justice in a Coming of Age Thriller 路易丝·厄德里奇的《圆屋:成长惊悚片中的恢复性司法》

Nordlit Tidsskrift i litteratur og kultur Pub Date : 2018-08-24 DOI: 10.7557/13.4273

L. Castor

引用次数: 4

The Trickster and the Engineer 《魔术师与工程师

Nordlit Tidsskrift i litteratur og kultur Pub Date : 2018-07-17 DOI: 10.7557/13.4417

Lill Tove Fredriksen

{"title":"The Trickster and the Engineer","authors":"Lill Tove Fredriksen","doi":"10.7557/13.4417","DOIUrl":"https://doi.org/10.7557/13.4417","url":null,"abstract":"In the beginning of the 2000’s a meeting takes place at one of the major hospitals in Northern Norway, between a Sámi patient Juvvá, and his roommate, a retired Norwegian engineer. The engineer shows a negative attitude towards his Sámi roommate. Based on a symptomatic reading of three stories, this article presents a character analysis of Juvvá’s birgengoansttat, coping skills, in his encounter with the engineer. The analysis focuses on Juvvá as a trickster figure representing the Sámi people, and the engineer as stállu, a set of structures that represent the majority’s values system. The engineer’s negative mindset towards his Sámi roommate represents the shadow of centuries of repression and lack of knowledge about Sámi language, culture and history. The Norwegian government’s assimilation politics, the Norwegianization policies, function as the contextual backdrop for the investigation and of the reactions of the engineer. In my role as a scholar and mediator of the stories, I also function as a character in this investigation, at a meta level. This requires some focus on the context that frames my reading. The analysis of the stories reveals how non-verbal communication and humor are used to show resistance towards derogatory attitudes in the majority system. Juvvá’s agency is to cope, and take control of his own situation in the narrative of the hospital’s white world. In his role as a trickster, Juvvá represents a boundary-crossing figure and demonstrates a flexibility in finding a creative space to exercise his abilities to coping in the meeting with his hostile roommate.","PeriodicalId":53235,"journal":{"name":"Nordlit Tidsskrift i litteratur og kultur","volume":"119 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90367835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Hamsunproblemet i skolens norskbøker 1945–1970

Nordlit Tidsskrift i litteratur og kultur Pub Date : 2018-06-27 DOI: 10.7557/13.4409

John Brumo

引用次数: 0

Infant mortality and epidemic diseases. Wartime Finnmark in a comparative perspective 婴儿死亡率和流行病。比较视角下的战时芬兰马克

Nordlit Tidsskrift i litteratur og kultur Pub Date : 2015-12-15 DOI: 10.7557/13.3637

Nina Planting Mølmann, B. Jacobsen, I. Elstad

引用次数: 0

“I learned to trust myself”. An oral history of professional nurses' wartime practice in Finnmark “我学会了相信自己。”芬兰马克职业护士战时实践的口述历史

Nordlit Tidsskrift i litteratur og kultur Pub Date : 2015-12-15 DOI: 10.7557/13.3639

Ingrid Immonen

引用次数: 0

Arkitektur som forskningsfelt 建筑作为研究领域

Nordlit Tidsskrift i litteratur og kultur Pub Date : 2015-12-10 DOI: 10.7557/13.3692

E. Haugdal

引用次数: 0

Spesialisering eller samvirke? Om skulptur og arkitektur i gjenreisnings- og vekstårene etter andre verdenskrig 特别还是互动？关于二战后修复中的雕塑和建筑以及车辆。

Nordlit Tidsskrift i litteratur og kultur Pub Date : 2015-12-10 DOI: 10.7557/13.3682

Svein Aamold

{"title":"Spesialisering eller samvirke? Om skulptur og arkitektur i gjenreisnings- og vekstårene etter andre verdenskrig","authors":"Svein Aamold","doi":"10.7557/13.3682","DOIUrl":"https://doi.org/10.7557/13.3682","url":null,"abstract":"One of the characteristics of modernist art and architecture is the insistence on autonomy. What happens if the two media are combined? Will they activate new artistic values – or will their insistence on individual autonomy lead to a differentiation which negates any true dialogue bearing on their status as works of art? These questions are discussed with references to sculptures by Georg Kolbe, Antoine Pevsner, Barbara Hepworth, Jean Arp, Arnold Haukeland and Ramon Isern; and the architecture of Ludwig Mies van der Rohe, Walter Gropius and Erling Viksjo. Also central to these topics are the public debates between architects, sculptors and architectural historians in Europe and America during the first decades after the Second World War. The issues regarding a possible integration of sculpture and architecture were highly contested during these years of optimism and economic growth. For some, the idea of a union between the two media proved to be an ideal that was perhaps never fully accomplished. Many sculptors, however, wanted to create works intended for public spaces, whether in architectural urban settings or in landscapes. Among the architects, the opinions differed from a refusal to include any works of art as part of their buildings, to those who involved in collaborative projects with artists. Others maintained that a new spatial unity could be achieved based on joint efforts on equal terms between sculptors and architects.","PeriodicalId":53235,"journal":{"name":"Nordlit Tidsskrift i litteratur og kultur","volume":"1 1","pages":"107-128"},"PeriodicalIF":0.0,"publicationDate":"2015-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71314656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Billedprogrammet på Trondenes: Den hellige Anna – sjømennenes og rikdommens beskytter 《特洛伊人的苏联计划》、《神圣的安娜》、《海洋与河流保护者》

Nordlit Tidsskrift i litteratur og kultur Pub Date : 2015-12-10 DOI: 10.7557/13.3689

Rognald Heiseldal Bergesen

{"title":"Billedprogrammet på Trondenes: Den hellige Anna – sjømennenes og rikdommens beskytter","authors":"Rognald Heiseldal Bergesen","doi":"10.7557/13.3689","DOIUrl":"https://doi.org/10.7557/13.3689","url":null,"abstract":"The interior of the parish church at Trondenes in Harstad in Northern Norway is one of the best-preserved medieval interiors in Scandinavia. Four of its reredos have survived, three of them in situ . A significant characteristic of the decoration in the church is the pronounced presence of St. Anne and the Holy Kinship. The article explores the roles of these motifs in the iconography at Trondenes. Even though there are no sources related to the specific religious use of these motifs at Trondenes, our general knowledge of their cult elsewhere in Europe suggests how they might have been used in Trondenes. Among ordinary people in the medieval Northern Germany, the cult of Saint Anne and the Holy Kinship were related to the protection of sailors and to secure the growth of their income, as well as to protect against diseases. Usually these motifs were found in maritime, urban regions. St. Anne was regarded as a role model for the middle class women, and the Holy Kinship as a “self-image” of the trading middle class. Trondenes is the main Church in a large maritime region. In the late middle ages the fisheries along the coastline provided large incomes to the chapter of the Cathedral of Nidaros who owned Trondenes and to the local merchants at Trondenes. In such circumstances it is reasonable that the presence of St. Anne and the Holy Kinship at Trondenes was related to the protection of local sailors and to the growth of income from the fisheries.","PeriodicalId":53235,"journal":{"name":"Nordlit Tidsskrift i litteratur og kultur","volume":"1 1","pages":"229-248"},"PeriodicalIF":0.0,"publicationDate":"2015-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71314712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Boligblokker i hardt klima. Hesteskoblokka i Hammerfest og Ormen långe i Svappavaara 男孩在恶劣的气候下拦路。Hammerfest的马钟和Svappavaara的Ormen演唱

Nordlit Tidsskrift i litteratur og kultur Pub Date : 2015-12-10 DOI: 10.7557/13.3681

E. Haugdal

{"title":"Boligblokker i hardt klima. Hesteskoblokka i Hammerfest og Ormen långe i Svappavaara","authors":"E. Haugdal","doi":"10.7557/13.3681","DOIUrl":"https://doi.org/10.7557/13.3681","url":null,"abstract":"Large scale residential buildings from the modernist era have been severly criticized for being hostile both towards people and the environment. In small towns and in less urbanized areas in northern Scandinavia such residential blocks are highly visible elements in the landscape. When Hesteskoblokka (architect Astrup and Hellern) was erected in the recreational area outside Hammerfest in 1965 it was the largest residential block in Norway. A similar block, Ormen Lange (architect Ralph Erskine), was completed in Svappavaara in 1965. Both buildings contained apartments for workers in, respectively, the frozen food company Findus and in LKAB mining company. Brand new, they were strong symbols of growing industrial activity and modernization of the north. The blocks were similarly heavily affected by the economic downturn in the following decades, turned into slum or vacated. However, these blocks are not only sociologically interesting, but also the first in the Nordic countries where the architects undertook climate analyses. Both Hesteskoblokka and Ormen Lange obtained their form according to topographical and climatic conditions. Thus they were part of a growing environmentally conscious architecture and a new regionalism within the modernist architecture. This article discusses the attempts of new regionalism in the late modern architecture in the north, and questions both its ideas and realizations.","PeriodicalId":53235,"journal":{"name":"Nordlit Tidsskrift i litteratur og kultur","volume":"1 1","pages":"79-106"},"PeriodicalIF":0.0,"publicationDate":"2015-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71314651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1