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Studies in Theatre Production最新文献

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SCUDD Survey of Undergraduate Drama Courses SCUDD本科戏剧课程调查
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1996.10806942
J. Bull, Benedict Francombe
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引用次数: 1
Pathology & Pedagogy: Directing Student Actors in John Ford's The Broken Heart 病理学与教育学:导演约翰·福特《破碎的心》中的学生演员
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1997.10806962
M. Rogers
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引用次数: 0
SCUDD's Collaborative response to the QAA proposals SCUDD对QAA提案的合作回应
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1998.10806974
Philip E. Roberts
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引用次数: 0
Two Perspectives on the Phenomenon of Biomechanics in Contemporary Performance: an account of Gogol's The Government Inspector in production 当代表演中生物力学现象的两个视角——以果戈理的《生产中的政府检查员》为例
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1997.10806964
A. Shrubsall, Jonathan Pitches
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引用次数: 1
An Early Stage at Queens 皇后区的早期阶段
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1996.10806927
I. Wright
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引用次数: 0
‘Bad Quartos’ in Performance: Charles Calder in conversation with Graham Holderness and Bryan Loughrey 表演中的“坏四开本”:查尔斯·考尔德与格雷厄姆·霍尔德尼斯和布莱恩·劳雷的对话
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1996.10806938
A. Stott
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引用次数: 0
Bread and Circuses 面包和马戏
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1993.10806863
Robert Cheesmond
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引用次数: 0
Theology of Authorship 作者神学
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1998.10806976
W. Stanton, C. Mccullough
{"title":"Theology of Authorship","authors":"W. Stanton, C. Mccullough","doi":"10.1080/13575341.1998.10806976","DOIUrl":"https://doi.org/10.1080/13575341.1998.10806976","url":null,"abstract":"AbstractStudying dramatic texts offers at least three obvious approaches: to hold a discussion with a group who have read the play; to mount a passive or active ‘classroom’ reading in which students read the parts; or to mount a production. This article proposes another way, a praxis involving (in this case) a text and its writer, a dramaturg, professional actors and a small audience. The focus of this praxis was the text of a new play called Bringing Home the Bacon. A workshop was held in which the actors read the play and it was then discussed by everyone present. This was a straightforward enough procedure, but it became rapidly clear that the scope of the workshop was enormous, taking in issues of dramaturgy, scenography, performance, reception and authorship. Having the author present meant that he, as well as the play's text and the actors, could be part of the process of interrogation.","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129275099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
An Inch of Land 一寸土地
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1998.10806994
A. Hodge
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引用次数: 0
Portraits of Rossetti: Feminist Theory and Performance 罗塞蒂肖像:女性主义理论与表演
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1995.10806900
Elaine Aston
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引用次数: 2
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