{"title":"Visages de la contemplation","authors":"Daniele Regis","doi":"10.30682/aa2311s","DOIUrl":"https://doi.org/10.30682/aa2311s","url":null,"abstract":"Visages del la contemplation (1980) is the title of a photography book with images by Michele Pellegrino, a preface by Roger Etchegaray, Archbishop of Marseille at the time of publication, and Cardinal Presbyter of St. Leo I, former president of the Council of Conferences of Bishops of Europe and of the Episcopal Conference of France, with the full text and historical notes by Jean Pier Ravotti. The work, now quite rare and preserved in the Vatican Apostolic Library, unparalleled in its reflection, remains a powerful fresco of monasteries and contemplative life, the identities and differences of charisms, and the vows of poverty, chastity and obedience of the different orders and monasteries: the Benedictines, the Camaldolese, the Cistercians, the Canons Regular, the Trappists, the Carthusians, the Poor Clares, the Dominican and Carmelite nuns, the Passionists and the Little Sisters of Bethlehem, and the Little Brothers. A sister dimension to that of the cloistered emerges in the book, a dimension that could be considered the most neglected by historians, especially in the oblivion of sapiential traditions: cloistered monasteries as citadels of culture and art, custodians of priceless heritages, and at the same time extraordinary centres of production that admirably shape territories and landscapes. This world of partially lost sapiential traditions, of care, intelligence, love of nature, harmony, sustainability, invites us to think about the issue of sustainability in the mountains.\u0000","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"54 39","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140231192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ein modernes Gotteshaus für Passugg-Araschgen.\u0000Der Bündner Architekt Andres Liesch und die Kirche in Passugg","authors":"Daniel A. Walser","doi":"10.30682/aa2311i","DOIUrl":"https://doi.org/10.30682/aa2311i","url":null,"abstract":"This article examines the evangelical church in Passugg-Araschgen (1971/72), considered one of the main works of the Grisons architect Andres Liesch (1927-1990). As a leading figure in his generation within the canton of Graubünden, Liesch left an indelible mark on the Swiss architectural landscape. His portfolio, boasting over 37 schools, is distinguished by the adept utilisation of concrete and a meticulous spatial arrangement. The Passugg church, influenced by Liesch’s exposure to the expressive architecture of Frank Lloyd Wright, represents an elegant fusion of complex geometries and sculptural spaces respectfully integrated into the surrounding landscape. The structure, characterised by a pavilion roof and the artful incorporation of topography, embodies Liesch’s philosophy that architecture “gains substance through a clear architectural message”. The financial and logistical support of National Councilor Paul Raschein, president of Passugger Heilquellen AG, was crucial in the realisation of the project. The Passugg church stands out as a unique example of sacred architecture designed by Liesch, combining geometric mastery and sculptural vision in a specific context, representing a significant contribution to the architectural modernisation of Graubünden.","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"36 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140229182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Attorno all’altare.\u0000La chiesetta alpina di Ettore Sottsass senior sul Monte Bondone","authors":"Fabio Campolongo","doi":"10.30682/aa2311f","DOIUrl":"https://doi.org/10.30682/aa2311f","url":null,"abstract":"Ettore Sottsass Sr., an architect from Trentino who survived the First World War, left an enduring mark on the mountainous landscape of Monte Bondone. In the aftermath of the war, he undertook various architectural projects, including an alpine chapel in Vanéze in 1929.\u0000Funded by a spontaneous committee, the church stands as a testament to the communal sharing and gratitude among those who endured the war, and enjoyed a unique freedom in its construction as it was not commissioned by any diocese or parish. The octagonal structure, characterised by shingle roofing and pristine white walls, pays homage to Christian traditions while providing a serene haven amidst the mountains. The chapel’s interior design, including the arrangement of the altar and other spaces, demonstrates the architect’s modern vision that surprisingly anticipates the liturgical reforms of the Second Vatican Council. Surrounded by breathtaking mountain vistas, the construction remains a symbol of consecration and contemplation, even though the planned bell tower conceived by Sottsass in 1952 as a final act of re-consecration for the beloved mountain was never realized. The story of Sottsass and his chapel reflects the delicacy of “architectures drawn slowly, with attention and wisdom” which are necessary to avoid bringing harm to the mountains.","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"42 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140229310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Antonio De Rossi, R. Dini, Cristian Dallere, Federica Serra, Matteo Tempestini
{"title":"Architetture alpine per la spiritualità","authors":"Antonio De Rossi, R. Dini, Cristian Dallere, Federica Serra, Matteo Tempestini","doi":"10.30682/aa2311a","DOIUrl":"https://doi.org/10.30682/aa2311a","url":null,"abstract":"","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"38 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140229457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Un oratorio e una cappella in Ticino","authors":"Nicola Navone","doi":"10.30682/aa2311l","DOIUrl":"https://doi.org/10.30682/aa2311l","url":null,"abstract":"This text presents the oratory of San Bartolomeo (1991-1996), built in Porta (Brissago) following the design by Raffaele Cavadini, and the chapel realised in Val Malvaglia (2017-2019) by Martino Pedrozzi. Since it is not possible here to fill the gap in critical studies on the sacred architecture in Ticino since the second half of the 20th century – except for two well-known works by Mario Botta: the church of San Giovanni Battista in Mogno, Val Lavizzara (1986-1996) and the chapel of Santa Maria degli Angeli on Monte Tamaro (1990-1996) –, we have chosen to focus on these two works because of the consistency of their design strategy and the quality of their results. But if the Brissago oratory was created in the mould of the experiences developed in Ticino since the 1960s (although it in part has an original perspective), the chapel in Val Malvaglia, conceived by an architect from the next generation, introduces a new approach, manifesting the liveliness of the architectural research in contemporary Ticino.","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"11 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140229583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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