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Alpine iconodulia 高山iconodulia
ArchAlp Pub Date : 2024-03-19 DOI: 10.30682/aa2311q
Matteo Tempestini
{"title":"Alpine iconodulia","authors":"Matteo Tempestini","doi":"10.30682/aa2311q","DOIUrl":"https://doi.org/10.30682/aa2311q","url":null,"abstract":"At the end of the Eighties the global recognition of Alpine architecture coincided with a profound shift in architectural media, particularly journalism. Photographic images played an increasing role in the reproduction of architecture in journals. In this overview, the important position of some sacred works is discussed, as they competed for the covers of renowned magazines, ultimately becoming icons of the new Alpine architecture. The article analyses the reasons behind this success by studying three emblematic cases in the Central Alps: the Chapels Sogn Benedetg by Peter Zumthor, St. Nepomuk by Christian Kerez in the Graubünden, and the Salgenreute Chapel by Bernardo Bader in Vorarlberg.","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140229274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Due chiese 两个孩子
ArchAlp Pub Date : 2024-03-19 DOI: 10.30682/aa2311m
Carlo Calderan
{"title":"Due chiese","authors":"Carlo Calderan","doi":"10.30682/aa2311m","DOIUrl":"https://doi.org/10.30682/aa2311m","url":null,"abstract":"This article explores the architectural significance of two churches in South Tyrol, focusing on projects by Othmar Barth and Arnold Gapp. The church of Sant’Andrea in Rasun di Sopra, designed by Barth, represents a harmonious synthesis of traditional and modern elements. Its asymmetric facade and independent roof reveal Barth’s approach to modernising ecclesiastical architecture. The church of Santa Caterina in Katharinaberg, designed by Gapp, incorporates an unusual mortuary chapel that is open to the surrounding landscape, suggesting a direct connection between sacred spaces and the natural environment. Both projects reflect on how architecture can engage with tradition and transform the sacred landscape into a more open and inclusive experience.","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"13 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140229771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vom Heiligen Land Tirol. Sakrales Bauen und die Berge 来自圣地蒂罗尔神圣建筑与群山
ArchAlp Pub Date : 2024-03-19 DOI: 10.30682/aa2311o
Andreas Flora
{"title":"Vom Heiligen Land Tirol. Sakrales Bauen und die Berge","authors":"Andreas Flora","doi":"10.30682/aa2311o","DOIUrl":"https://doi.org/10.30682/aa2311o","url":null,"abstract":"The extreme mountain landscape and its potential dangers were one of the reasons for the high number of sacred buildings in the Alpine region. Tyroleans have long called their region the Holy land of Tyrol, due to the many churches, chapels, monasteries, wayside shrines and crucifixes in the region, among other reasons. How was the unique religiosity of Alpine inhabitants expressed in their buildings? Is it expressed differently than in the famous church buildings of European cities? It seems that the motives for erecting sacred buildings and monuments in mountain regions are to be weighted differently and that, in addition to their primary religious function, these structures fulfilled different tasks for the population at different times. While contemplative spatial concepts were and still are at the forefront of architectural thought, earlier buildings were primarily vessels for relics, images and statues. The motive lay in conjuring up and invoking the help of God and the patron saints. Thus, while historical buildings were seen more as places of practiced rituals – to receive help from the difficulties of everyday life – the individualistic interest in contemplative places has gained momentum in modern times. The sheer number of these different typologies of structures in a wide variety of social locations is unique to Tyrol, making it easy to identify social and societal conditions in different historical periods.\u0000","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"59 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140230290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Naufrage du mouvement liturgique contre les Alpes bernoises.Regard sur l’architecture sacrée en Valais 伯尔尼阿尔卑斯山礼仪运动的沉船:瓦莱州神圣建筑概览
ArchAlp Pub Date : 2024-03-19 DOI: 10.30682/aa2311h
Patrick Giromini
{"title":"Naufrage du mouvement liturgique contre les Alpes bernoises.\u0000Regard sur l’architecture sacrée en Valais","authors":"Patrick Giromini","doi":"10.30682/aa2311h","DOIUrl":"https://doi.org/10.30682/aa2311h","url":null,"abstract":"In Hegel’s view, questioning the sacred seamlessly intertwines with the very essence of architecture – namely “that which binds together a multitude of souls”. The Church assumes a fundamentally spiritual significance, predominantly and comprehensively conveyed through its architectural space. Meanwhile, its surroundings, the way it is expressed externally, encompasses another layer of meaning that falls outside the realm of the liturgical movement. The exterior is a source of light that structures movement in space, but also the place where another meaning is materialised, more clerical than spiritual, a meaning encapsulated by the political dimension of its form. This dimension is a question of scale, expressed through the monumentality of a singular object, but also through the multiplication of this object across a territory. During the 20th century, just over a hundred churches and one hundred and fifty chapels were built in Valais. These projects fulfilled their political role because they gave the ecclesiastical institution a territorial dimension, but did they respond to the spiritual mission as professed by the community gathered around Romano Guardini in Rothenfels, Germany, during the second quarter of the 20th century? Among countless projects that reverently extol the materials, form, and technical potential of reinforced concrete, some leverage the formal potential of space in connection with a liturgical renewal, aiming to rediscover monastic spirituality against the triumphant Church (Ecclesia triumphans).","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"4 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140230662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Una mitologia alpina 阿尔卑斯神话
ArchAlp Pub Date : 2024-03-19 DOI: 10.30682/aa2311c
L. Ortelli
{"title":"Una mitologia alpina","authors":"L. Ortelli","doi":"10.30682/aa2311c","DOIUrl":"https://doi.org/10.30682/aa2311c","url":null,"abstract":"This text superimposes a seemingly random geometry over certain locations in the Alpine massifs, one that is certainly reductive and debatable, yet still connected to an evident modern unease. Over a period of a few decades, from the end of the 19th century to the early decades of the 20th century, some Alpine locations have been home to significant events and figures in the arts and culture, defining a concentrated itinerary in a relatively limited area. The figures introduced here carry ideas and embody forces far from the commonplaces that accompany our perception of the mountains and the more widespread image assigned to them. In this sense, it is also possible to approach the theme from Alpine iconography, whether it be the work of great artists, attempts at scientific representation or the simplest popular depictions. The protagonists of these itineraries are, indeed, directly linked to different ways of representing the mountain.","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"23 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140229657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Memoria e preghiera dopo la tragedia.Quattro opere di architettura sacra per il Vajont, tra polemiche e sfide progettuali 悲剧之后的记忆与祈祷--瓦戎特的四件圣殿建筑作品,在争议与设计挑战之间徘徊
ArchAlp Pub Date : 2024-03-19 DOI: 10.30682/aa2311e
M. Gaetani
{"title":"Memoria e preghiera dopo la tragedia.\u0000Quattro opere di architettura sacra per il Vajont, tra polemiche e sfide progettuali","authors":"M. Gaetani","doi":"10.30682/aa2311e","DOIUrl":"https://doi.org/10.30682/aa2311e","url":null,"abstract":"This brief essay focuses on the main projects of sacred architecture realised in Vajont during the twenty years following the tragedy that ocurred there sixty years ago. Designed by the already established Michelucci, and the younger architects Avon, Tentori, Zanuso, Gresleri, and Varnier, these cemeteries and churches represent not only the reconstruction of indispensable structures and facilities, but also an attempt to redefine (the remains of) villages, landscapes, and community identities. As a counterbalance to urban planning, which seems to impose overly rational housing models and standards – being therefore unintelligible to the average citizen – these more punctual creations aim at a greater respect for the specificity of these extraordinary contexts, recovering images and memories from the past with sophisticated sensitivity, firmly rooted in the landscape.\u0000While these creations are certainly unique in their approaches, which are summarized in this essay, they are also united by the main goal of avoiding monumentalism and rhetoric.","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"16 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140230589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La “Stiva da Morts”. In bilico tra due dimensioni sensoriali Stiva da Morts"。位于两个感官维度之间
ArchAlp Pub Date : 2024-03-19 DOI: 10.30682/aa2311n
V. Botta
{"title":"La “Stiva da Morts”. In bilico tra due dimensioni sensoriali","authors":"V. Botta","doi":"10.30682/aa2311n","DOIUrl":"https://doi.org/10.30682/aa2311n","url":null,"abstract":"In Vrin there is a building that is not dissimilar frommost of the buildings in the village in terms of its general characteristics, but at the same time it appears as an autonomous element in relation to its context. This building is known as ‘Stiva da Morts’, chamber of the dead, by the villagers, and was designed by architect Gion A. Caminada to host the traditional ritual of visiting the deceaseed in their coffin before burial. This ritual took on collective meanings in addition to the sentimental and individual ones already present. An ambivalence towards the individual seems to be expressed by some formal choices, which made the Stiva da Morts a new landmark in the anthropic fabric.","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"32 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140229079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«No house should ever be on a hill or on anything».La chiesa di Corte di Cadore e i dettami dell’architettura organica 任何房子都不应该建在山上或任何东西上",Corte di Cadore 教堂和有机建筑的要求
ArchAlp Pub Date : 2024-03-19 DOI: 10.30682/aa2311d
M. Merlo
{"title":"«No house should ever be on a hill or on anything».\u0000La chiesa di Corte di Cadore e i dettami dell’architettura organica","authors":"M. Merlo","doi":"10.30682/aa2311d","DOIUrl":"https://doi.org/10.30682/aa2311d","url":null,"abstract":"The Corte di Cadore Church, as explained by Edoardo Gellner in his Quasi un diario, played a significant role in the architectural and urban composition of the entire complex of Corte di Cadore. From the beginning, it was decided that it should constitute the dominant element of the entire village, close to the central hub and the collective facilities and services necessary for the smooth functioning of the entire complex. The strategic positioning of the church was carefully considered in terms of its relationship with the built environment and the surrounding vegetation.\u0000Rather than being placed at the summit of the mountain, the church was thoughtfully positioned at a slight distance. This deliberate choice allowed the crest of the small hill and the lush vegetation of pines, junipers, and other underbrush, to seamlessly integrate as a complementary frame and background to the architecture of the church. The architecture described in this essay through the memories of one of the designers, Edoardo Gellner, is a testament to the collaborative brilliance of two architects, Gellner and Carlo Scarpa, whose collaboration contributed to the creation of architectural works rich in meaning and references.","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":" 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140389817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Leggere il tempo. Conversazione sull’architettura sensibile di Armando Ruinelli 阅读时间关于敏感建筑的对话》,作者阿曼多-鲁伊内利
ArchAlp Pub Date : 2024-03-19 DOI: 10.30682/aa2311r
Armando Ruinelli, Giorgio Azzoni
{"title":"Leggere il tempo. Conversazione sull’architettura sensibile di Armando Ruinelli","authors":"Armando Ruinelli, Giorgio Azzoni","doi":"10.30682/aa2311r","DOIUrl":"https://doi.org/10.30682/aa2311r","url":null,"abstract":"Armando Ruinelli’s forty-year architectural experience, as documented in the recent publication Leggere il tempo, is characterised by its sensitivity and attention to context. Devoid of excess and extravagance, his work establishes a polite dialogue with its surroundings, reflecting the discreet personality of the author. At the core of Ruinelli’s practice lies a profound ethical consideration, extending beyond the design phase to encompass the entire spectrum of operational intricacies. His perspective on time translates into an acceptance of material aging, emphasising the importance of allowing buildings to follow their natural course. Rooted in context, his architecture seeks not only continuity but harmonious integration within the Alpine landscapes they inhabit. In dialogue with the interviewer, Ruinelli emphasises his preference for artisanal work, highlighting the significance of precision in execution and the centrality of humans over materials. His poetic exploration is manifested in creating atmospheres and carefully balancing the dynamic components of a project. Reflecting on the role of the architect, he envisions them as craftsmen endowed with both technical acumen and creative vision. Finally, Ruinelli shares a meaningful project – the fountains in the Soglio cemetery – a creation laden with delicacy and symbolism that underscores the spiritual depth of his work.","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"16 s2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140229822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«Per gli Alpini non esiste l’impossibile».L’acropoli alpina al Doss Trento: un sogno infranto "多斯-特伦托的阿尔卑斯卫城:破碎的梦想
ArchAlp Pub Date : 2024-03-19 DOI: 10.30682/aa2311g
R. Paoli
{"title":"«Per gli Alpini non esiste l’impossibile».\u0000L’acropoli alpina al Doss Trento: un sogno infranto","authors":"R. Paoli","doi":"10.30682/aa2311g","DOIUrl":"https://doi.org/10.30682/aa2311g","url":null,"abstract":"This essay describes the project of the Alpine Acropolis, designed by Adalberto Libera and Giovanni Muzio. The construction’s purpose was the commemoration of the history of the Alpini on Doss Trento, and was presented to Benito Mussolini in 1941 by Mario Cereghini, president of the technical commission responsible for the design and direction of the work.\u0000The majestic complex, intended as “an expression of the nation’s gratitude and fascism towards the Alpini, during the regime’s greatest self-celebration”, would have included an extensive museum area alongside a monument to Cesare Battisti, connected to the city of Trento by a surrounding ring road. The construction would have required significant modifications to the landscape, prompting criticism for its rhetorical grandeur in conflict with the pragmatic Alpine mentality, and raising doubts about the need for such a grand museum and monument. Nevertheless, the regime decided to proceed with the project until 1943 when, with the onset of war, construction was halted, leaving only a pile of dusty drawings and a thoughtful reflection on the impacts left on the mountain in an attempt to celebrate those who love and protect it.","PeriodicalId":34564,"journal":{"name":"ArchAlp","volume":"23 s2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140229899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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