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ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. материалы II Всероссийской научно-практической конференции c международным участием最新文献

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THE GENRE OF LANDSCAPE AND ITS PICTURESQUE FEATURES 风景画:风景画的类型及其独特的特征
ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. материалы II Всероссийской научно-практической конференции c международным участием Pub Date : 1900-01-01 DOI: 10.54874/9785604868850_255
V. S. Mironov
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引用次数: 0
TRADITIONAL COLOR SCALEIN THE CULTURE OF THE TURKIC-MONGOLIAN PEOPLES (ON THE EXAMPLE OF FABRICS AND JEWELRY) 突厥-蒙古民族文化中的传统色度(以织物和珠宝为例)
ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. материалы II Всероссийской научно-практической конференции c международным участием Pub Date : 1900-01-01 DOI: 10.54874/9785604868850_307
G. A. Serkina
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引用次数: 0
COLOR AND EXPERIMENTS IN HAND WEAVINGON THE EXAMPLE OF THE WORKS OF GRADUATE STUDENTS OF THE STIEGLITZ STATE ACADEMY OF ART AND DESIGN 以stieglitz州立艺术与设计学院研究生作品为例，以手工编织中的色彩与实验为例
ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. материалы II Всероссийской научно-практической конференции c международным участием Pub Date : 1900-01-01 DOI: 10.54874/9785604868850_128
M. Ermolaeva
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引用次数: 0
COLOR AS A MEANS OF COMPOSITIONIN THE ART OF GARDENING AND LANDSCAPE ARCHITECTURE 色彩在园林艺术和景观建筑中作为一种构成手段
ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. материалы II Всероссийской научно-практической конференции c международным участием Pub Date : 1900-01-01 DOI: 10.54874/9785604868850_121
V. Dormidontova, O.I. Vasilieva
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引用次数: 0
THE COLORISTIC SOLUTIONOF THE “PARABLE OF THE GOOD SAMARITAN”IN THE CHURCH WALL-PAINTINGOF THE END OF THE 19th – BEGINNING OF THE 20th CENTURIES 19世纪末至20世纪初教堂壁画中“好撒玛利亚人的寓言”的色彩解决方案
ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. материалы II Всероссийской научно-практической конференции c международным участием Pub Date : 1900-01-01 DOI: 10.54874/9785604868850_405
E. V. Sergeeva
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引用次数: 0
COLORISTIC CODING AS A TOOL FOR FORMING THE ATTRACTIVENESS OF MODERN ANIMATION FILMS FOR THE AUDIENCE 色彩编码作为一种工具，形成了现代动画电影对观众的吸引力
ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. материалы II Всероссийской научно-практической конференции c международным участием Pub Date : 1900-01-01 DOI: 10.54874/9785604868850_359
E. V. Shtifanova, Yu. T. Kozodoy
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引用次数: 0
THE PAINTING METHOD ON THE EXAMPLE OF THE WORK BY THE ENGLISH SCHOOL ARTISTSJOHN CONSTABLE AND JOSEPH TURNER 以英国画派艺术家约翰·康斯特布尔和约瑟夫·特纳的作品为例
ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. материалы II Всероссийской научно-практической конференции c международным участием Pub Date : 1900-01-01 DOI: 10.54874/9785604868850_206
T. I. Kudryavtseva
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引用次数: 0
COLORISTIC FEATURES OF MURMANSK MURALS 摩尔曼斯克壁画的色彩特征
ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. материалы II Всероссийской научно-практической конференции c международным участием Pub Date : 1900-01-01 DOI: 10.54874/9785604868850_172
I. V. Klyushkin
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引用次数: 0
MODERNIST EXHIBITION SPACES EXEMPLIFIEDIN THE INTERIORS BY EL LISSITZKY AND THE DE STIJL ARTISTS 现代主义的展览空间在室内由el lissitzky和de stijl艺术家示范
ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. материалы II Всероссийской научно-практической конференции c международным участием Pub Date : 1900-01-01 DOI: 10.54874/9785604868850_418
M. S. Stebakov
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引用次数: 0
TRADITIONS AND SYMBOLISM OF COLOR IN KELAGAYI 克拉迦依色彩的传统与象征
ЦВЕТ В ПРОСТРАНСТВЕННЫХ ИСКУССТВАХ И ДИЗАЙНЕ. материалы II Всероссийской научно-практической конференции c международным участием Pub Date : 1900-01-01 DOI: 10.54874/9785604868850_153
U. Kamalzade
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引用次数: 0
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