{"title":"Misery Loves Company","authors":"","doi":"10.32873/uno.dc.jrf.25.01.032","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.25.01.032","url":null,"abstract":"This is a review of the short film, Misery Loves Company (2020), directed by Sasha Lee.","PeriodicalId":344011,"journal":{"name":"Journal of Religion & Film","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130601601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Playing with Sharks","authors":"R. Dean","doi":"10.32873/uno.dc.jrf.25.1.024","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.25.1.024","url":null,"abstract":"This is a film review of Playing With Sharks (2021), directed by Sally Aitken.","PeriodicalId":344011,"journal":{"name":"Journal of Religion & Film","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133980801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mountain Cat","authors":"","doi":"10.32873/uno.dc.jrf.25.01.040","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.25.01.040","url":null,"abstract":"This is a review of the short film, Mountain Cat (2020), directed by Lkhagvadulam Purev-Ochir.","PeriodicalId":344011,"journal":{"name":"Journal of Religion & Film","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115418384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How It Ends","authors":"J. Lyden","doi":"10.32873/uno.dc.jrf.25.1.015","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.25.1.015","url":null,"abstract":"This is a film review of How It Ends (2021), directed by Daryl Wein and Zoe Lister-Jones.","PeriodicalId":344011,"journal":{"name":"Journal of Religion & Film","volume":" 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113950954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Black Rift Begins to Yawn","authors":"","doi":"10.32873/uno.dc.jrf.25.01.062","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.25.01.062","url":null,"abstract":"","PeriodicalId":344011,"journal":{"name":"Journal of Religion & Film","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130196368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"I Ran From It and Was Still In It","authors":"","doi":"10.32873/uno.dc.jrf.25.01.035","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.25.01.035","url":null,"abstract":"This is a film review of the short film, I ran from it and was still in it (2020), directed by Darol Oku Kae.","PeriodicalId":344011,"journal":{"name":"Journal of Religion & Film","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123704558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Fourfold","authors":"J. Young","doi":"10.1017/ccol0521821363.015","DOIUrl":"https://doi.org/10.1017/ccol0521821363.015","url":null,"abstract":"This is a film review of the animated short film, The Fourfold (2020), directed by Alisi Telengut.","PeriodicalId":344011,"journal":{"name":"Journal of Religion & Film","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130929259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Unseen River","authors":"","doi":"10.32873/uno.dc.jrf.25.01.030","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.25.01.030","url":null,"abstract":"This is a review of the short film, The Unseen River (2020), directed by Pham Ngoc Lan.","PeriodicalId":344011,"journal":{"name":"Journal of Religion & Film","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130967922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Spirits and Rocks: An Azorean Myth","authors":"W. Blizek","doi":"10.32873/uno.dc.jrf.25.01.033","DOIUrl":"https://doi.org/10.32873/uno.dc.jrf.25.01.033","url":null,"abstract":"This is a review of the short film, Spirits and Rocks: An Azorean Myth (2020), directed by Aylin Gökmen","PeriodicalId":344011,"journal":{"name":"Journal of Religion & Film","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129116001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}