M. Jiménez, María Teresa Fernández Alles, J. J. Franco
{"title":"Relación entre los beneficios y la obtención de engagement de los usuarios en la comunicación de las redes sociales del sector hotelero","authors":"M. Jiménez, María Teresa Fernández Alles, J. J. Franco","doi":"10.15198/SEECI.2019.48.125-148","DOIUrl":"https://doi.org/10.15198/SEECI.2019.48.125-148","url":null,"abstract":"With the growing power of online consumers and the increased penetration of the internet around the world, online brand communities have formed an important communication platform between companies and consumers. These social media have offered consumers the opportunity to share opinions, recommendations and experiences through comments, images or videos with other users, which can be read and commented among them. In this way, this research intends to analyze if the perceived benefits are related to the obtaining of commitment or engagement on the part of the users in the social networks of the hotels. For this, a quantitative analysis has been carried out by means of a questionnaire addressed to the followers of the social networks of hotels or hotel chains. Thus, 4 hypotheses have been proposed to analyze whether the 4 identified benefits (functional, socio-psychological, hedonic and monetary benefits) are directly related to the 4 variables identified in the engagement (user participation, trust, affective commitment and loyalty), being able to contrast so if the benefits perceived by users in these social networks caused an increase in the 4 variables of engagement. The results specify a positive link of the socio-psychological and hedonic benefits perceived by the user with a greater engagement, however, there is more discrepancy in the functional benefits and, above all, to highlight the scarce transcendence of the monetary benefit to achieve a greater commitment with the users.","PeriodicalId":311163,"journal":{"name":"Revista de Comunicación de la SEECI","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130803688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La práctica de la interpretación árabe-español en las Naciones Unidas y la Unión Africana y sus implicaciones para la formación / The practice of arabic-spanish interpreting at the United Nations and the African Union and implications for training","authors":"Bachir Mahyub Rayaa","doi":"10.15198/SEECI.2018.0.71-89","DOIUrl":"https://doi.org/10.15198/SEECI.2018.0.71-89","url":null,"abstract":"Spanish and Arabic are official languages of both the United Nations (UN) and the African Union (AU). Given their professional interest to the students of the Arabic-Spanish linguistic combination (AR-ES), we wanted to explore the practice of interpretation in both languages in the two organizations. Given the paucity of previous literature, we opted for the hyphenated interview method. For this, we have the collaboration of two subjects of the UN and two of the AU. In this contribution, which emanates from our doctoral thesis defended on 03/12/2015 (Mahyub Rayaa, 2015), we start from the interest that both institutions arouse as interpretation providers and as a possible professional source of employment for the students that we train in AR-SP interpretation. This way, analyzing the practice of interpretation in these languages is of great academic and professional interest. The results obtained show surprising as well as novel data: the practice of AR-SP interpretation in the UN seldom occurs directly. To translate from Arabic to Spanish, the relay of the English or French booth is almost always used. In the AU, on the other hand, interpretation in these languages is reserved only for the annual summits of Heads of State. The interviews show relevant quantitative and qualitative results about how to work in the Arabic and Spanish booths, while having a direct impact on the professional future of the students and professional interpreters of AR-SP.","PeriodicalId":311163,"journal":{"name":"Revista de Comunicación de la SEECI","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114274398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gallego Hernández, D. (ed.) (2015). Special Issue: New insights into specialized translation. Intralinea","authors":"Elena Alcalde Peñalver","doi":"10.15198/seeci.2018.0.","DOIUrl":"https://doi.org/10.15198/seeci.2018.0.","url":null,"abstract":"","PeriodicalId":311163,"journal":{"name":"Revista de Comunicación de la SEECI","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130531651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Film Poetry. Repensando el cine de vanguardia: arte en movimiento y poéticas visuales / Film Poetry. Re-thinking avant-garde cinema: art in motion and visual poetics","authors":"Virginia Villaplana Ruiz, Pedro Ortuño Mengual","doi":"10.15198/seeci.2018.0.1-15","DOIUrl":"https://doi.org/10.15198/seeci.2018.0.1-15","url":null,"abstract":"Este artículo tiene como primer objetivo, agrupar las vanguardias artísticas cinematográficas en tres grandes variables estéticas, “Film-poem como abstracción”, “Film poetry como modelo analítico” y “Film como poesía dialéctica”, relacionadas con las teorías críticas y los escritos de los propios cineastas. Por una parte se analizan las poéticas de Abel Gance, Germaine Dulac, Marcel L´Herbier, Jean Epstein, Louis Delluc, Marcel Duchamp, Walter Ruttmann, Man Ray y Dziga Vertov. Un segundo objetivo sería el repaso de la noción de cine de vanguardia mediante las aportaciones de la teoría fílmica elaboradas por Jean Mitry, Bill Nichols, Malcolm Turvey, Vicente Sánchez-Biosca, Bruce Elder y Carlos Tejeda entre otros. Dichos autores nos permiten abordar metodológicamente las distintas dimensiones que caracterizan el Film-poem como abstracción, modelo analítico y como poesía dialéctica. Estos ideales estéticos y filosóficos están vinculados a las experiencias de las artes plásticas y del arte contemporáneo. Del mismo modo, este artículo expone la concepción poética del movimiento de vanguardia interrelacionando obras fílmicas del arte experimental a partir de modelos de representación.","PeriodicalId":311163,"journal":{"name":"Revista de Comunicación de la SEECI","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128730231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La publicidad como vendedora de sueños. Una reflexión desde la ética / Advertising as a seller of dreams. A reflection from ethics","authors":"María Teresa Pellicer Jordá","doi":"10.15198/seeci.2018.46.29-33","DOIUrl":"https://doi.org/10.15198/seeci.2018.46.29-33","url":null,"abstract":"Advertising no longer only sells products, it sells much more. Sell dreams, values, models of life and, ultimately, a symbolic universe associated with that product or service advertised. The truth is that this sale of 'intangible' issues causes a series of effects on consumers, who often do not see their expectations satisfied after acquiring the product or service in question. This gives rise to an ethical reflection, since, that symbolic universe that promises the publicity is not justiciable or in any other way, since it is an implicit and difficultly verifiable promise. That is why in this article we intend to reflect on this issue and review the mechanisms through which advertising sells those dreams and life models. For this, we will make a theoretical review with the reflections and thoughts of different experts in advertising, ethics and communication.","PeriodicalId":311163,"journal":{"name":"Revista de Comunicación de la SEECI","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129802780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Salamanca: enclave cinematográfico y cuna de profesionales de la industria fílmica y musical en el desarrollismo (1959-1975) / Salamanca: cinematographic location and cradle of professionals from cinema and musical industry during developism (1959-1975)","authors":"V. Rodríguez","doi":"10.15198/SEECI.2016.41.66-81","DOIUrl":"https://doi.org/10.15198/SEECI.2016.41.66-81","url":null,"abstract":"La película Nueve Cartas a Berta (1966, Basilio Martín Patino) es uno de los exponentes de la corriente más renovadora del cine español de los años sesenta. Asimismo, esta cinta es también recordada, entre otros aspectos, por el protagonismo visual de la ciudad de Salamanca y por haber plasmado de forma práctica algunas de las propuestas formuladas teóricamente en las Conversaciones de Salamanca de 1955. En este trabajo ofrecemos un acercamiento a la citada muestra, un proyecto audiovisual en el que coincidieron dos vecinos de la localidad que los vio nacer. Además de la presencia de Basilio Martín Patino (1930), director de la muestra, el compositor salmantino Gerardo Gombau (1906-1971) formó parte del elenco del film en el área musical. Un acercamiento desde el prisma estético y musical, así como las circunstancias que pudieron determinar la vinculación del músico salmantino a la muestra de Martín Patino, son algunos de los aspectos abordados en este trabajo.","PeriodicalId":311163,"journal":{"name":"Revista de Comunicación de la SEECI","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124078304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Historia del pensamiento semiótico 1. La Antigüedad Grecolatina / History of Semiotic Thinking. The Greco-Roman Antiquity","authors":"G. Padilla Castillo","doi":"10.15198/seeci.2016.41.181-182","DOIUrl":"https://doi.org/10.15198/seeci.2016.41.181-182","url":null,"abstract":"Ésta es la primera parte de una obra total, concebida en tres volúmenes, que abarca de la Antigüedad Grecolatina hasta nuestros días. La primera entrega, aquí reseñada, corresponde a la primera parte, publicada en 2014 con una ayuda a la edición del Ministerio de Educación, Cultura y Deporte. Empieza con los textos homéricos y acaba con Agustín de Hipona, el primer autor que habla explícitamente de semiótica general.","PeriodicalId":311163,"journal":{"name":"Revista de Comunicación de la SEECI","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132578389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La construcción de la rivalidad River-Boca. Símbolos, discursos y rituales del hinchismo en el proceso de popularización del fútbol / The construction of the River-Boca rivalry. Symbols, speeches and rituals of the claques in the process of popularization","authors":"Germán Hasicic","doi":"10.15198/SEECI.2016.41.104-135","DOIUrl":"https://doi.org/10.15198/SEECI.2016.41.104-135","url":null,"abstract":"Este trabajo ofrece una mirada hacia atrás, cuyo objetivo ha sido relevar y analizar dos aspectos clave: por un lado, la incorporación del fútbol como bien cultural en nuestro país y su impacto en los modos de socialización –principalmente el rol del club– en una etapa donde lo nacional fluctuaba a raíz las oleadas migratorias de fines de siglo XIX y principios del XX; por el otro, la historia del Club Atlético River Plate, desde su fundación hasta la actualidad, enfatizando en aquellos aspectos culturales, simbólicos y territoriales que han contribuido a la construcción identitaria de la institución.","PeriodicalId":311163,"journal":{"name":"Revista de Comunicación de la SEECI","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125765130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La pintura de historia: ¿El presente en el pasado o el pasado en el presente? / The painting of history: The present in the past or the past in the present?","authors":"M. Ziegler","doi":"10.15198/SEECI.2016.41.45-65","DOIUrl":"https://doi.org/10.15198/SEECI.2016.41.45-65","url":null,"abstract":"A través de la revisión de cinco los casos particulares de los artistas Jacques-Louis David, Benjamin West, Francisco de Goya y Lucientes, Eugene Delacroix y John Trumbull, se demuestra como la pintura de corte histórico desde finales del siglo XVIII presenta una re-interpretación del significado de la historia y los hechos del pasado en su respectivo presente. Aunque la pintura de historia no es un género nuevo para el final del siglo XVIII, sí tenía unos claros lineamientos muy respetados por los círculos académicos en Occidente. La novedad radica en que desde la pintura se aborda una nueva visión de la historia en sintonía con las necesidades del presente. En este sentido, asumiendo cada una de las obras analizadas como la solución a un problema, se descifra a la obra misma en tanto aporte solvente. ","PeriodicalId":311163,"journal":{"name":"Revista de Comunicación de la SEECI","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132508748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El proceso social de donación de órganos desde un análisis comunicacional / The social process of organ donation from a communications analysis","authors":"Antonela Isoglio","doi":"10.15198/SEECI.2016.41.25-44","DOIUrl":"https://doi.org/10.15198/SEECI.2016.41.25-44","url":null,"abstract":"El trasplante de órganos y tejidos constituye una práctica médico-social, que no logra consolidarse por el escaso nivel de donantes. La investigación que da origen a este artículo exploró los significados sociales de la donación de órganos y tejidos, con el objeto de reconocer la estructura social y las relaciones interpersonales relacionadas con dicho proceso. El estudio fue realizado en la provincia de Córdoba, Argentina, durante el año 2014 y los datos fueron obtenidos a través de entrevistas semiestructuradas aplicadas a un muestreo no probabilístico, utilizando particularmente la muestra de expertos y la muestra discrecional. Las unidades de análisis de las cuales se obtuvo la construcción de evidencia empírica necesaria fueron: personas expertas en el tema, personas que prestaron su consentimiento para la donación de órganos y/o tejidos de un familiar fallecido, personas que aún no experimentaron la donación de órganos y/o tejidos, y personas trasplantadas. Desde un enfoque cualitativo, la investigación pretende contribuir al diseño de estrategias de comunicación que busquen fortalecer las capacidades de las personas y las comunidades en la toma de decisiones informadas respecto de este problema de salud colectiva.","PeriodicalId":311163,"journal":{"name":"Revista de Comunicación de la SEECI","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121161247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}