{"title":"Influences on Josquin","authors":"D. Fallows","doi":"10.25371/TROJA.V20033000","DOIUrl":"https://doi.org/10.25371/TROJA.V20033000","url":null,"abstract":"","PeriodicalId":251036,"journal":{"name":"troja. Jahrbuch für Renaissancemusik","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124325415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"KinderMusic\"","authors":"Inga Mai Groote","doi":"10.25371/troja.v20112948","DOIUrl":"https://doi.org/10.25371/troja.v20112948","url":null,"abstract":"","PeriodicalId":251036,"journal":{"name":"troja. Jahrbuch für Renaissancemusik","volume":"154 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115894952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Das Alte und das Neue","authors":"Andrea Lindmayr-Brandl","doi":"10.25371/troja.v20062879","DOIUrl":"https://doi.org/10.25371/troja.v20062879","url":null,"abstract":"","PeriodicalId":251036,"journal":{"name":"troja. Jahrbuch für Renaissancemusik","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124897770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"»Pastoris vita exemplum est aliis«","authors":"Nikolaus Staubach","doi":"10.25371/troja.v20122841","DOIUrl":"https://doi.org/10.25371/troja.v20122841","url":null,"abstract":"","PeriodicalId":251036,"journal":{"name":"troja. Jahrbuch für Renaissancemusik","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123350408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anhang","authors":"Björn R. Tammen","doi":"10.25371/troja.v20162786","DOIUrl":"https://doi.org/10.25371/troja.v20162786","url":null,"abstract":"","PeriodicalId":251036,"journal":{"name":"troja. Jahrbuch für Renaissancemusik","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125684048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Esther - Susanna - Judith. Drei tugendhafte Frauen des Alten Testaments im dritten Teil der Hochzeitmotette Gratia sola Dei","authors":"D. Eichberger","doi":"10.25371/troja.v20162730","DOIUrl":"https://doi.org/10.25371/troja.v20162730","url":null,"abstract":"Der italienische Sänger und Hofmusiker Massimo Troiano hatte in seinen berühmten Dialoghi (1568) ausführlich darüber berichtet, wie am 29. Februar 1568 im Rahmen der Münchner Hochzeitsfeierlichkeiten die drei Abschnitte von Orlando di Lassos Motette Gratia sola Dei aufgeführt wurden. Während der von »vier ausgezeichneten Solostimmen« dargebotene zweite Teil dem Augenzeugen zufolge die Festgäste so tief berührt hatte, dass sie aufhörten zu essen und zu trinken, um dem Gesang zu lauschen, geht es am Schluss der Motette sowohl in Text wie in Musik um den leidenschaftlicheren Teil des Hochzeitsgeschehens. Das von dem flämischen Humanisten Nicolaus Stopius (Nicolò Stoppio) verfasste Epithalamium endet mit folgenden Versen:","PeriodicalId":251036,"journal":{"name":"troja. Jahrbuch für Renaissancemusik","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114401103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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