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Shakespeare, Spectatorship and the Technologies of Performance最新文献

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Concluding Most Obscenely: Offstage Technophelias 最下流的总结:台下的技术迷
Shakespeare, Spectatorship and the Technologies of Performance Pub Date : 2020-04-30 DOI: 10.1017/9781108339001.011
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引用次数: 0
Hamletin Parts: Robin Lough’s RSC Live Cinema Broadcast of Simon Godwin’sHamlet(8 June 2016) 《哈姆雷特》:罗宾·拉夫在皇家莎士比亚剧院现场直播西蒙·戈德温的《哈姆雷特》(2016年6月8日)
Shakespeare, Spectatorship and the Technologies of Performance Pub Date : 2020-04-30 DOI: 10.1017/9781108339001.009
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引用次数: 0
‘Invisible’ Technology and ‘Liveness’ in Digital Theatre Broadcasting 数字剧场广播中的“隐形”技术与“活力”
Shakespeare, Spectatorship and the Technologies of Performance Pub Date : 2020-04-30 DOI: 10.1017/9781108339001.008
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引用次数: 0
Digital Technologies and Early Modern Drama at the National Theatre and the RSC 国家剧院和皇家莎士比亚剧团的数字技术和早期现代戏剧
Shakespeare, Spectatorship and the Technologies of Performance Pub Date : 2020-04-30 DOI: 10.1017/9781108339001.005
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引用次数: 0
Dominic Dromgoole’sThe Changeling(2015): Social Division and Anamorphic Vision 多米尼克·德龙古尔的《换生灵》(2015):社会分裂与变形视觉
Shakespeare, Spectatorship and the Technologies of Performance Pub Date : 2020-04-30 DOI: 10.1017/9781108339001.003
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引用次数: 0
Offstage Dynamics and the Virtual Public Sphere in Cheek by Jowl’s Live Stream ofMeasure for Measure(2015) 《以牙还牙》(2015)舞台下的动态与虚拟公共领域
Shakespeare, Spectatorship and the Technologies of Performance Pub Date : 2020-04-30 DOI: 10.1017/9781108339001.010
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引用次数: 0
Stanislavski in the Closet: Joe Hill-Gibbins’Edward II(National Theatre, 2013) 斯坦尼斯拉夫斯基在壁橱里:乔·希尔-吉宾斯的《爱德华二世》(国家剧院，2013)
Shakespeare, Spectatorship and the Technologies of Performance Pub Date : 2020-04-30 DOI: 10.1017/9781108339001.006
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引用次数: 0
Index 指数
Shakespeare, Spectatorship and the Technologies of Performance Pub Date : 2020-04-30 DOI: 10.1017/9781108339001.013
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引用次数: 0
Candlelight and Architecture at the Sam Wanamaker Playhouse 山姆·沃纳梅克剧场的烛光与建筑
Shakespeare, Spectatorship and the Technologies of Performance Pub Date : 2020-04-01 DOI: 10.1017/9781108339001.002
P. Aebischer
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引用次数: 0
Dominic Dromgoole’sThe Tempest(2016): Labour, Technology and the Gender of Theatrical Magic 多米尼克·德罗姆古尔的《暴风雨》(2016):劳动、技术和戏剧魔法的性别
Shakespeare, Spectatorship and the Technologies of Performance Pub Date : 2020-04-01 DOI: 10.1017/9781108339001.004
P. Aebischer
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引用次数: 0
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